{"title":"《另一个美国的民歌:1937-1946年中西部地区的现场录音》","authors":"D. N. Lewis","doi":"10.5860/choice.193817","DOIUrl":null,"url":null,"abstract":"Folksongs of Another America: Field Recordings from the Upper Midwest, 1937-1946. Book by James P. Leary. University of Wisconsin Press/Dust-to-Digital DTD-43 (456 pp., 5 audio CDs, 1 DVD). This release certainly has the appearance of a book but was submitted for a sound recording review; in my headnote I have incorporated properties of both. James P. Leary is a professor at the University of Wisconsin, Madison and an editor of the Journal of American Folklore, though his tenure in that position ends in 2015. To typify Folksongs of Another America as Leary's pet project would be to do it an injustice; it is the sum total of fifty years' work and forms the central keystone to a cycle of studies devoted to folk traditions in North Midwestern states, namely Wisconsin, Michigan and Northern Minnesota. This area has cold winters and is largely underdeveloped and unpopulated even today, and settling this part of the world has been a shared experience for a wide range of diverse immigrant cultures--Finns, Swedes, Germans, Viennese, Lithuanians, Poles, French-speaking former Canadians, Scots, African American former slaves and so forth--joined by contact with indigenous peoples such as the Ojibway and Ho-Chunk. Between 1937 and 1946, folklorists armed with disc cutters swept through the region periodically; Sidney Robertson (later Cowell) in 1937-38, Alan Lomax again in 1938 and Helene Stratman-Thomas in 1940-41 and 1946. Folksongs of Another America is both distillation and contextualization of these wide-ranging field trips, and Leary has usefully subdivided the recorded material among five CDs organized by field trip and substance. Just because the book contains five CDs does not mean that the audio content is more than what is manageable for the reader; the content of the field trip determines the overall length of each disc, and the second disc, devoted to songs of Wisconsin lumberjacks recorded by Robertson, only runs a half an hour, including tracks as short as 24 seconds. Ethnographic recordings, by their very nature, are often brief, and listening to many of them in long stretches takes some measure of discipline on part of the listener. Folksongs of Another America is not the exclusive domain of amateur performers and many of the correspondents contacted by the folklorists, such as French-Canadian singer Mary Agnes Starr or the Wisconsin lumberjacks group recorded by Robertson were professional or semi-professional performers at folk festivals or in more intimate contexts, and the musical performances are of a consistently high quality. So much of the material here is previously uncirculated that neither Leary nor Dust-to-Digital indicates former releases apart from including the titles in the \"Sources\" section, but all of the audio transfers--by Brad McCoy of Library of Congress and Michael Graves of the Osiris Studio in Atlanta--are far superior in comparison to older issues. Each track is lovingly examined and annotated individually by Leary, accompanied by original field notes, texts and translations. …","PeriodicalId":158557,"journal":{"name":"ARSC Journal","volume":"106 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2015-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Folksongs of Another America: Field Recordings from the Upper Midwest, 1937-1946\",\"authors\":\"D. N. 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This area has cold winters and is largely underdeveloped and unpopulated even today, and settling this part of the world has been a shared experience for a wide range of diverse immigrant cultures--Finns, Swedes, Germans, Viennese, Lithuanians, Poles, French-speaking former Canadians, Scots, African American former slaves and so forth--joined by contact with indigenous peoples such as the Ojibway and Ho-Chunk. Between 1937 and 1946, folklorists armed with disc cutters swept through the region periodically; Sidney Robertson (later Cowell) in 1937-38, Alan Lomax again in 1938 and Helene Stratman-Thomas in 1940-41 and 1946. Folksongs of Another America is both distillation and contextualization of these wide-ranging field trips, and Leary has usefully subdivided the recorded material among five CDs organized by field trip and substance. Just because the book contains five CDs does not mean that the audio content is more than what is manageable for the reader; the content of the field trip determines the overall length of each disc, and the second disc, devoted to songs of Wisconsin lumberjacks recorded by Robertson, only runs a half an hour, including tracks as short as 24 seconds. Ethnographic recordings, by their very nature, are often brief, and listening to many of them in long stretches takes some measure of discipline on part of the listener. Folksongs of Another America is not the exclusive domain of amateur performers and many of the correspondents contacted by the folklorists, such as French-Canadian singer Mary Agnes Starr or the Wisconsin lumberjacks group recorded by Robertson were professional or semi-professional performers at folk festivals or in more intimate contexts, and the musical performances are of a consistently high quality. So much of the material here is previously uncirculated that neither Leary nor Dust-to-Digital indicates former releases apart from including the titles in the \\\"Sources\\\" section, but all of the audio transfers--by Brad McCoy of Library of Congress and Michael Graves of the Osiris Studio in Atlanta--are far superior in comparison to older issues. 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引用次数: 2
摘要
《另一个美国的民歌:1937-1946年中西部地区的现场录音》。作者:James P. Leary。威斯康星大学出版社/灰尘到数字的DTD-43(456页,5音频cd, 1 DVD)。这个版本当然有一本书的外观,但提交录音审查;在我的标题中,我将两者的属性结合起来。詹姆斯·p·利里(James P. Leary)是威斯康星大学麦迪逊分校的教授,也是《美国民俗杂志》(Journal of American Folklore)的编辑,不过他的任期将于2015年结束。把《另一个美国的民歌》作为利里的得意之作是不公平的;它是五十年工作的总和,并形成了一个致力于中西部北部各州(即威斯康星州,密歇根州和明尼苏达州北部)民间传统研究周期的中心基石。这个地区冬天寒冷,即使在今天也基本上不发达,无人居住,在世界的这一部分定居是一个广泛的不同移民文化的共同经历-芬兰人,瑞典人,德国人,维也纳人,立陶宛人,波兰人,讲法语的前加拿大人,苏格兰人,非洲裔美国人的前奴隶等等-通过与土著民族的接触,如Ojibway和Ho-Chunk。1937年至1946年间,民俗学家带着切割器定期扫荡这一地区;西德尼·罗伯逊(后来的考威尔)1937-38年,艾伦·洛马克斯1938年,海伦·斯特拉特曼-托马斯1940-41年和1946年。《另一个美国的民歌》是对这些广泛的实地考察的提炼和背景化,利里将这些录音材料按实地考察和内容分成了五张cd,这很有用。仅仅因为这本书包含五张cd并不意味着音频内容超出了读者的管理范围;实地考察的内容决定了每张唱片的总长度,第二张唱片是罗伯逊录制的威斯康星伐木工人的歌曲,只有半个小时,其中包括短至24秒的曲目。民族志录音,就其本质而言,往往是简短的,长时间地听其中的许多录音需要听众的一定程度的自律。《另一个美国》的民歌并不是业余表演者的独家领域,民俗学家联系的许多记者,如法裔加拿大歌手玛丽·阿格尼斯·斯塔尔(Mary Agnes Starr)或由罗伯逊录制的威斯康星伐木工乐队,都是民间节日或更亲密的场合的专业或半专业表演者,音乐表演始终如一地保持着高质量。这里的很多材料都是以前没有传播过的,除了包括“来源”部分的标题外,Leary和Dust-to-Digital都没有提到以前的版本,但是所有的音频传输——由国会图书馆的Brad McCoy和亚特兰大奥西里斯工作室的Michael Graves——比以前的问题要好得多。每首曲目都由Leary精心检查和注释,并附有原始的现场笔记,文本和翻译。…
Folksongs of Another America: Field Recordings from the Upper Midwest, 1937-1946
Folksongs of Another America: Field Recordings from the Upper Midwest, 1937-1946. Book by James P. Leary. University of Wisconsin Press/Dust-to-Digital DTD-43 (456 pp., 5 audio CDs, 1 DVD). This release certainly has the appearance of a book but was submitted for a sound recording review; in my headnote I have incorporated properties of both. James P. Leary is a professor at the University of Wisconsin, Madison and an editor of the Journal of American Folklore, though his tenure in that position ends in 2015. To typify Folksongs of Another America as Leary's pet project would be to do it an injustice; it is the sum total of fifty years' work and forms the central keystone to a cycle of studies devoted to folk traditions in North Midwestern states, namely Wisconsin, Michigan and Northern Minnesota. This area has cold winters and is largely underdeveloped and unpopulated even today, and settling this part of the world has been a shared experience for a wide range of diverse immigrant cultures--Finns, Swedes, Germans, Viennese, Lithuanians, Poles, French-speaking former Canadians, Scots, African American former slaves and so forth--joined by contact with indigenous peoples such as the Ojibway and Ho-Chunk. Between 1937 and 1946, folklorists armed with disc cutters swept through the region periodically; Sidney Robertson (later Cowell) in 1937-38, Alan Lomax again in 1938 and Helene Stratman-Thomas in 1940-41 and 1946. Folksongs of Another America is both distillation and contextualization of these wide-ranging field trips, and Leary has usefully subdivided the recorded material among five CDs organized by field trip and substance. Just because the book contains five CDs does not mean that the audio content is more than what is manageable for the reader; the content of the field trip determines the overall length of each disc, and the second disc, devoted to songs of Wisconsin lumberjacks recorded by Robertson, only runs a half an hour, including tracks as short as 24 seconds. Ethnographic recordings, by their very nature, are often brief, and listening to many of them in long stretches takes some measure of discipline on part of the listener. Folksongs of Another America is not the exclusive domain of amateur performers and many of the correspondents contacted by the folklorists, such as French-Canadian singer Mary Agnes Starr or the Wisconsin lumberjacks group recorded by Robertson were professional or semi-professional performers at folk festivals or in more intimate contexts, and the musical performances are of a consistently high quality. So much of the material here is previously uncirculated that neither Leary nor Dust-to-Digital indicates former releases apart from including the titles in the "Sources" section, but all of the audio transfers--by Brad McCoy of Library of Congress and Michael Graves of the Osiris Studio in Atlanta--are far superior in comparison to older issues. Each track is lovingly examined and annotated individually by Leary, accompanied by original field notes, texts and translations. …