论辛菲维·达纳《班图比克街》中黑人意识的神化

Mzukisi J. Lento
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引用次数: 0

摘要

在基于性别的暴力和仇外心理(黑人对黑人的暴力)的背景下,人们会问黑人是否讨厌自己。学者们一直在种族隔离遗留下来的社会经济挑战中寻找这些社会弊病的解释。这些挑战在后种族隔离时代继续存在。反映贫困和暴力的一个文化场所是Simphiwe Dana的歌曲“Bantu Biko Street”。这位歌手援引班图·比科的黑人意识哲学作为可能的解决方案。本文仔细阅读了这首歌,并认为现任政府未能兑现其物质承诺。文章还将黑人意识描述为一种可能的替代意识形态,以培养黑人的自豪感、希望和公共分享。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Deification of Black Consciousness as an Alternative Ideology in Simphiwe Dana’s “Bantu Biko Street”
In the context of gender-based violence and xenophobia (black on black violence), the question is being asked whether black people hate themselves. Scholars have sought explanations for these social ills in socio-economic challenges that are a legacy of apartheid. These challenges have continued in the post-apartheid era. One cultural site in which poverty and violence have been reflected is the song “Bantu Biko Street” by Simphiwe Dana. The singer invokes Bantu Biko’s philosophy of Black Consciousness as a possible solution. This article closely reads this song and argues that the current government fails to deliver its material promises. The article also depicts Black Consciousness as a possible alternative ideology to foster black pride, hope and communal sharing.
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