{"title":"厄洛斯的变形。爱员工诗歌Rafael-Josédiaz, Ada房间和Eduardo Mogą","authors":"Mario Martín Gijón","doi":"10.31261/rs.2019.15.06","DOIUrl":null,"url":null,"abstract":": Until recent times, the representation of desire and erotics in Spanish poetry was quite scanty. Even now, there are few poets who explicitly deal with sex in their poetry. In this article, I analyse the work of three poets with different outlooks on desire: a homosexual male (Rafael-José Díaz), a heterosexual female poet (Ada Salas), and a heterosexual male poet (Eduardo Moga). Taking into account, among others, the theories of Roland Barthes ( A Lover’s Discourse. Fragments ) and Anne Carson ( Eros the Bittersweet ), I attempt to emphasise the originality of the language treatment of bodies in love.","PeriodicalId":332744,"journal":{"name":"Romanica Silesiana","volume":"95 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Las metamorfosis de Eros. Poéticas del cuerpo enamorado en Rafael-José Díaz, Ada Salas y Eduardo Mogą\",\"authors\":\"Mario Martín Gijón\",\"doi\":\"10.31261/rs.2019.15.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": Until recent times, the representation of desire and erotics in Spanish poetry was quite scanty. Even now, there are few poets who explicitly deal with sex in their poetry. In this article, I analyse the work of three poets with different outlooks on desire: a homosexual male (Rafael-José Díaz), a heterosexual female poet (Ada Salas), and a heterosexual male poet (Eduardo Moga). Taking into account, among others, the theories of Roland Barthes ( A Lover’s Discourse. Fragments ) and Anne Carson ( Eros the Bittersweet ), I attempt to emphasise the originality of the language treatment of bodies in love.\",\"PeriodicalId\":332744,\"journal\":{\"name\":\"Romanica Silesiana\",\"volume\":\"95 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanica Silesiana\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31261/rs.2019.15.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanica Silesiana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31261/rs.2019.15.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
直到最近，西班牙诗歌中对欲望和情色的描写还相当稀少。即使是现在，也很少有诗人在他们的诗歌中明确地处理性。在这篇文章中，我分析了三位有着不同欲望观的诗人的作品:同性恋男诗人(rafael - jos Díaz)、异性恋女诗人(Ada Salas)和异性恋男诗人(Eduardo Moga)。考虑到罗兰·巴特的理论(《情人的话语》)。《碎片》和安妮·卡森(《苦乐参半的厄洛斯》)，我试图强调爱情中身体的语言处理的原创性。
Las metamorfosis de Eros. Poéticas del cuerpo enamorado en Rafael-José Díaz, Ada Salas y Eduardo Mogą
: Until recent times, the representation of desire and erotics in Spanish poetry was quite scanty. Even now, there are few poets who explicitly deal with sex in their poetry. In this article, I analyse the work of three poets with different outlooks on desire: a homosexual male (Rafael-José Díaz), a heterosexual female poet (Ada Salas), and a heterosexual male poet (Eduardo Moga). Taking into account, among others, the theories of Roland Barthes ( A Lover’s Discourse. Fragments ) and Anne Carson ( Eros the Bittersweet ), I attempt to emphasise the originality of the language treatment of bodies in love.
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