行为隐喻对全球不同地区女性艺术家艺术实践的影响

Nish Belford
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引用次数: 1

摘要

本文以“行为隐喻”为框架,探讨女性艺术家在全球艺术界的定位和“可见性”问题。四位女性艺术家分别在全球核心、半边缘和边缘地区的不同国家进行创作,分享了她们对国籍、文化和宗教身份的看法和主体性,其他意识形态和哲学影响了她们的艺术和实践。作为一名具有移民艺术家身份的研究者,她将自己定位为一名批判性的民族志学者,并在研究参与者的反应时采取了反思的立场。从女性主义理论和其他社会文化视角出发,文学的交叉点扩展了对代理、行动主义、身份、声音和可见性等问题的讨论,这些问题从女性艺术家的角度进行了审视。然而,本文也规定了其他主要来自全球边缘国家的女性艺术家和具有移民艺术家身份的女性艺术家缺乏知名度和关注。结语部分通过四位女艺术家引发的持续对话来弥合集体身份的可能性,同时将这种对话扩展到更广泛的受众。收稿日期:2018年9月26日收稿日期:2019年2月15日发布日期:2019年3月6日版权:©2019 Belford N.这是一篇根据知识共享署名许可协议发布的开放获取文章,该协议允许在任何媒体上不受限制地使用、分发和复制,前提是要注明原作者和来源。通讯作者:Nish Belford,澳大利亚墨尔本莫纳什大学教育学院E-mail:nish.belford@monash.edu引文:Belford, N.行为隐喻对全球不同地区女性艺术家艺术实践的影响。性别与妇女研究。2019;2(2): 4。[19]张建军。性别与女性研究的开放获取[j] .中国科学:自然科学版。2019,32(2):1 - 4。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performative metaphors influencing the art practice of women artists from different global locations
In this paper, ‘performative metaphors’ is used as a framework to foreground questions of women artist’s positioning and ‘visibility’ in the global art world. Four women artists who practice in different countries, considered core, semi-peripheral and peripheral global locations, shared their views and subjectivities in relation to their nationality, cultural, and religious identities conjointly, with other ideologies and philosophies have influenced their art and practice. The researcher, having a migrant artist identity, positions herself as a critical ethnographer and takes a reflexive stance in examining the participant’s responses. The intersection of literature, from feminist theories and other socio-cultural lenses, extend the discussion on issues of agency, activism, identity, voice, and visibility afforded to the women artists’ as examined from their perspectives. However, this paper also stipulates the lack of visibility and attention given to other women artists mainly from global peripheral countries and those having a migrant artist identity. The conclusion draws on the possibilities for bridging collective identities with an ongoing conversation triggered by the four women artists while extending this discourse to a broader audience. Received: September 26, 2018 Accepted: February 15, 2019 Published: March 6, 2019 Copyright: © 2019 Belford N. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Corresponding author: Nish Belford, Faculty of Education, Monash University, Melbourne, Australia E-mail:nish.belford@monash.edu Citation: Belford, N. Performative metaphors influencing the art practice of women artists from different global locations. Gender and Women’s Studies. 2019; 2(2):4. Open Access Gender and Women’s Studies 1 of 19 Belford N. Gender and Women’s Studies. 2019, 2(2):4.
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