数字化幻灯片(35毫米)-转移,后期制作,可接受的变化

Iosif Astrukov
{"title":"数字化幻灯片(35毫米)-转移,后期制作,可接受的变化","authors":"Iosif Astrukov","doi":"10.26615/issn.2367-8038.2021_1_012","DOIUrl":null,"url":null,"abstract":"One of the most widespread photography formats before digitization, both for professional and amateur use, was the slide film (35mm, Leica format). Due to its compact size, compared to medium and large formats, this equipment was preferred by all photo reporters, photographs of the wild nature (probably the best known was the ones of the National Geographic magazine) and of course for the general people, creating family photos. Slides were the common way of presenting, when images had to be shown at wide audience. They appeared also in art – in galleries and on stage. For that reason there is enormous material shot on this medium, transferred regularly in digital format. The digitization itself is constantly changing and sometimes the same image is digitized numerous times. In this material I will follow the basic ways of digitization and the changes that occur. Important problem of the digital transfer still remains the limit of admissible postproduction, which inevitably is modifying the initial image. Keywords: Photography, Slides, Digitization, 35mm","PeriodicalId":274985,"journal":{"name":"Cultural and Historical Heritage: Preservation, Representation, Digitalization","volume":"101 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Digitization of Slide Film (35mm) – Transfer, Postproduction, Admissible Changes\",\"authors\":\"Iosif Astrukov\",\"doi\":\"10.26615/issn.2367-8038.2021_1_012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"One of the most widespread photography formats before digitization, both for professional and amateur use, was the slide film (35mm, Leica format). Due to its compact size, compared to medium and large formats, this equipment was preferred by all photo reporters, photographs of the wild nature (probably the best known was the ones of the National Geographic magazine) and of course for the general people, creating family photos. Slides were the common way of presenting, when images had to be shown at wide audience. They appeared also in art – in galleries and on stage. For that reason there is enormous material shot on this medium, transferred regularly in digital format. The digitization itself is constantly changing and sometimes the same image is digitized numerous times. In this material I will follow the basic ways of digitization and the changes that occur. Important problem of the digital transfer still remains the limit of admissible postproduction, which inevitably is modifying the initial image. Keywords: Photography, Slides, Digitization, 35mm\",\"PeriodicalId\":274985,\"journal\":{\"name\":\"Cultural and Historical Heritage: Preservation, Representation, Digitalization\",\"volume\":\"101 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural and Historical Heritage: Preservation, Representation, Digitalization\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26615/issn.2367-8038.2021_1_012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural and Historical Heritage: Preservation, Representation, Digitalization","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26615/issn.2367-8038.2021_1_012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

在数字化之前,无论是专业还是业余使用,最广泛的摄影格式之一是幻灯片(35mm,徕卡格式)。由于体积小巧,与中、大画幅相比,这种设备是所有摄影记者的首选,拍摄野生自然(最著名的可能是国家地理杂志的照片),当然,对于一般人来说,拍摄家庭照片。当图像必须向广大观众展示时,幻灯片是常用的展示方式。他们也出现在艺术画廊和舞台上。由于这个原因,有大量的材料在这种媒介上拍摄,并定期以数字格式传输。数字化本身是不断变化的,有时同一幅图像被数字化多次。在这个材料中,我将遵循数字化的基本方式和发生的变化。数字传输的一个重要问题仍然是后期处理的极限,这不可避免地会对初始图像进行修改。关键词:摄影,幻灯片,数字化,35mm
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Digitization of Slide Film (35mm) – Transfer, Postproduction, Admissible Changes
One of the most widespread photography formats before digitization, both for professional and amateur use, was the slide film (35mm, Leica format). Due to its compact size, compared to medium and large formats, this equipment was preferred by all photo reporters, photographs of the wild nature (probably the best known was the ones of the National Geographic magazine) and of course for the general people, creating family photos. Slides were the common way of presenting, when images had to be shown at wide audience. They appeared also in art – in galleries and on stage. For that reason there is enormous material shot on this medium, transferred regularly in digital format. The digitization itself is constantly changing and sometimes the same image is digitized numerous times. In this material I will follow the basic ways of digitization and the changes that occur. Important problem of the digital transfer still remains the limit of admissible postproduction, which inevitably is modifying the initial image. Keywords: Photography, Slides, Digitization, 35mm
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信