剧场的“是”:美作为改变的轴心,通过他们自己的故事来改变社区

Marina Pallarès Elias
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摘要

Tejidos是一个社区艺术项目,旨在发展一个社区,为居住在瓦哈卡州(妇女和聋人社区)和墨西哥城(老年人)的人们的特殊故事提供声音。该项目由英格兰艺术委员会(2018年)和Iberescena(2019年)资助。“是的剧场”是一种利用美作为语言的力量来打破社会冷漠看待的刻板印象的方法论。通过创作一场具有煽动性和情感的表演,我们可以改变遭受社会排斥的人们的生活。但是,如果不是专业演员,却有值得分享的故事,如何才能创造出高质量的演出呢?我们如何利用强大的表演作为变革的轴心?情感如何能成为反抗许多群体所遭受的社会压迫的动力呢?艺术作品帮助我们观察创造力如何推动人们找到更自由的自我,最重要的是,接近人类的本质。剧场的基础汇集了普遍的特点,诚实,简单,谦逊和慷慨。与这些群体一起发展的方法论的特点是,“是”作为对抗不值得的自我的武器,“美”作为变化的轴心,根据勒科克方法论,物理戏剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Theatre of Yes: Beauty as the Axis of Change for the Transformation of Communities Through Their Own Stories
Tejidos is a community artistic project that aims to develop a community to give voice to the particular stories of those who live in Oaxaca (women and the deaf community) and Mexico City (older adults). The project has been funded by the Arts Council England (2018) and Iberescena (2019). “Theatre of Yes” is a methodology that uses the power of beauty as a language to break the stereotypes of situations that society views with apathy. By creating a provocative and emotional performance, we can transform the lives of people who suffer social exclusion. Yet, how can we create a high-quality performance with people who are not professional actors but have stories that should be shared? How can we use powerful performances as an axis of change? How can emotions be the motor for the struggle against the social oppression that many groups suffer? Artistic work has helped us to observe how creativity pushes people to find a freer self and, above all, to be close to the essence of the human being. The base of the Theatre of YES brings together the universal characteristics, honesty, simplicity, humility and generosity. The characteristics of the methodology developed with these groups are the yes as a weapon against the non-worthy self, beauty as the axis of change, physical theatre according to the Lecoq methodology.
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