外表的自画像(一篇关于穆罕默德·迪卜最后一本书的文章)

Svetlana V. Projogina
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摘要

本文以杰出的阿尔及利亚法语作家穆罕默德·迪布(Mohammed Dib)和他的最后一本书《Laёzza》为中心,这本书成为了一个人的“灵魂忏悔”,他预见到自己即将死去,并希望以一种自由的短篇小说和自传体小写的形式叙述他的生活和精神经历,他对周围世界和命运的看法——他的祖国阿尔及利亚和他的第二故乡法国。迪布的著作和他的最后一部作品是对长期生活在西方的马格里布人的命运的思考,以及对法国人的思考,法国人越来越明白,“融合”、“多元文化主义”以及前大都市对-à-vis前殖民地人民的其他可疑成就的问题,与骚乱、恐怖主义和各种其他等级的“愤怒时期”等“后殖民产物”有关。在现在独立的前殖民地出现了很长时间。这位作家在千禧年之初所预见的许多事情如今都成为现实,因此,在他的告别书中,他不仅追忆了过去,展望了现在,而且预测了未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A SELF-PORTRAIT IN EXTERIOR (AN ESSAY ON MOHAMMED DIB’S LAST BOOK)
The essay centers on the outstanding Algerian French language writer, Mohammed Dib, and his last book ‘Laёzza’, which became a ‘confession of the soul’ by a man who had foreseen his impending death and wished to narrate, in a free form of short stories and autobiographical sketches, his life and spiritual experience, his perception of the surrounding world and destinies—of his native Algeria and his second home, France. Dib’ s writings and his last work are contemplations on the fate of the Maghreb people who had been long living in the West, as well as the French who have been understanding more and more that the problems of ‘integration’, ‘multiculturalism’ and other doubtful achievements of the former metropolitan power vis-à-vis the formerly colonized people, have been linked to such ‘postcolonial products’ as riots, terrorism and various other grades of the ‘time of anger’, for a long time emerging in the now independent ex-colonies. Many things foreseen by the writer at the beginning of the millennium came to be true nowadays, and thus in his farewell book he had not only reminisced about the past or contemplated upon the present, but also forecasted the future.
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