《当代女性戏剧的批判视角:21世纪初》潘妮·法尔凡、莱斯利·费里斯主编(书评)

J. Mobley
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引用次数: 0

摘要

女性剧作家在全球舞台上持续缺乏代表性仍然是女权主义戏剧学者关注的中心问题。值得庆幸的是,这本合集中的文章,代表了戏剧中的多种女权主义和各种批评方法,有助于解决持续存在的差距。在Penny Farfan和Lesley Ferris早期合作的《当代女性剧作家》(Palgrave Macmillan出版社,2013)的基础上,这本书令人印象深刻地扩展了这一工作,深化了跨种族、民族、阶级、性别、能力和年龄的女权主义参与。事实上,有几篇文章并没有突出性别,而是更广泛地为更大的叙事和全球视角做出了贡献,为女性剧作家领域的范围和多样性提供了一个动态的快照。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century ed. by Penny Farfan and Lesley Ferris (review)
Persistent lack of representation for women playwrights across global stages remains a central concern to feminist theatre scholars. Thankfully, the essays in this collection, representing a plurality of feminism in the plays featured and a variety of critical approaches, help address the ongoing disparities. Building on Penny Farfan and Lesley Ferris’s earlier collaboration, Contemporary Women Playwrights (Palgrave Macmillan, 2013), this volume impressively expands that work, deepening feminist engagement across intersections of race, ethnicity, class, sexuality, ability, and age. Indeed, several essays do not foreground gender but contribute more widely to larger narratives and global perspectives, offering a dynamic snapshot of the scope and diversity within the field of women playwrights.
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