寄生薄膜的符号学分析从含义和道德含义

M. Theodora, Nina Siti Salmaniah Siregar, T. Hidayat
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摘要

本文的题目是《寄生虫电影的符号学分析》。《寄生虫》是描写经济状况截然不同的两个家庭(朴家和金家)生活中的社会不平等现象的电影。朴家是一个非常富有的家庭,住在宽敞的精英住宅里,而金家是一个家庭,他们的家庭成员都是失业的穷人,住在路尽头的小半地下室里。金家所经历的情况使他们试图通过欺骗朴家来摆脱贫穷的生活。这部电影的故事情节最终使笔者有兴趣研究这部电影,目的是分析外延和内涵的符号学意义,并从这部电影中获取道德信息,《寄生虫》电影有一个描述当今人类生活的故事情节。本研究采用了罗兰·巴特的符号学理论。本研究的分析单元是电影《寄生虫》,作者选取了10个场景进行研究。作者使用的数据收集技术是从头到尾观看既没有删减也没有删减的原版电影,观察作者研究的场景,直接采访线人,观察电影。本研究采用定性研究相结合的描述性研究方法。作者还通过三角测量数据源来测试数据的可信度或信任度,并通过直接采访线人和询问有助于研究的电影相关问题来检查数据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analisis Semiotika Pada Film Parasite Dalam Makna Denotasi Konotasi Dan Pesan Moral
Semiotic Analysis on Parasite Film is the title in this study.  Parasite is a film that tells about the social inequality that occurs between the lives of two families (the Park and Kim families) who have very different economies.  The Park family is a very wealthy family living in large and elite housing while the Kim family is a family whose family members are unemployed poor and live in a small semibasement house at the end of the road.  The conditions experienced by the Kim Family made them try to get out of their poor life by tricking the Park Family.  The storyline of this film finally made the writer interested in researching this film with the aim of analyzing the semiotic meaning of denotation and connotation as well as taking moral messages that can be taken from this film where the Parasite film has a storyline that describes human life today.  This study uses Roland Barthes' Semiotic Theory.  The unit of analysis in this research is the film parasite, where the author takes 10 scenes that the writer will examine.  The data collection technique that the writer uses is by watching the original film that is neither cut nor censored from start to finish, observing the scenes the author studies, conducting direct interviews with informants and observing the film.  This study uses a descriptive research methodology with a qualitative approach. The author also tests the validity of the data by testing the credibility or trust in the data by triangulating data sources and checking the data by conducting interviews with informants directly and asking questions related to films that help research.
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