基督教庙宇中的“希腊圣贤”:中世纪哲学肖像学指南

D. Dorofeev
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引用次数: 0

摘要

这篇文章致力于研究西欧、东欧、中东、希腊和俄罗斯中世纪基督教会中古代哲学家的视觉塑像学。在俄罗斯和欧洲的科学文献中,作者首次对所有基督教教堂(包括鲜为人知的教堂)和寺庙进行了如此全面和详细的概述,这些教堂和寺庙中有“希腊圣贤”的视觉图像和雕塑塑料图像,中世纪不仅包括古代哲学家,还包括诗人、作家、历史学家和女诗人。基于他多年来对这一主题的研究、旅行和对国内外许多资源的研究,作者呈现了一幅大规模和丰富多彩的基督教(主要是东正教)传统的惊人图景,即把古代圣人理解为基督的先知和他的教义,并引起人们对其许多有趣特征的注意。这一传统在文本和走廊、画廊、餐厅、外墙甚至教堂的圣像中都有体现,“希腊圣贤”的视觉形象,最常见的是“杰西之树”的圣像。在此过程中,这些图像的视觉识别问题,他们的外观特征,服装,伴随的谚语等都被触及。作者以这种方式揭示了中世纪古代与基督教之间视觉对话的潜力,力求以新的视角呈现古希腊哲学家的接受,这对美学和历史哲学背景下的现代思想都有价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
"Hellenic sages" in Christian temples: a guide to philosophical iconography in the Middle Age
The article is devoted to the study of the visual-plastic iconography of ancient philosophers in medieval Christian churches in Western and Eastern Europe, the Middle East, Greece and Russia. For the first time in Russian and European scientific literature, the author gives such a complete and detailed overview of all Christian churches (including little-known ones) and temples that have visual-pictorial and sculptural-plastic images of “Hellenic sages”, which in the Middle Ages included not only ancient philosophers, but also poets, writers, historians and sibyls. Based on his many years of research, travel, study of many domestic and foreign sources on this topic, the author presents a large-scale and multicolored picture of the amazing Christian (primarily Orthodox) tradition of understanding the ancient sages as prophets of Christ and his teachings, drawing attention to many of its interesting features. This tradition finds expression both in texts and in the narthex, galleries, refectory, outer walls and even in the iconostasis of churches, visual images of the “Hellenic sages”, most often part of the iconography of the “Tree of Jesse”. Along the way, the problems of visual identification of such images, the features of their appearance, clothing, accompanying sayings, etc. are touched upon. Revealing in this way the potential of the visual dialogue between antiquity and Christianity in the Middle Ages, the author strives to present in a new light the reception of ancient Greek philosophers, which is valuable for modern thought both in the aesthetic and historical-philosophical context.
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