{"title":"单词里有什么?","authors":"Stephen G. Nichols","doi":"10.2307/j.ctvs32sxg.16","DOIUrl":null,"url":null,"abstract":"Stephen Nichols’s text analyzes one of the most famous examples of troubadour lyric, Peire d’Alverna’s Occitan canso Cantarai d’aqestz trobadors (‘I’ll sing about these troubadours’). Nichols explores its formal, linguistic, and epistemological character, its status in the broader literary-historical context of the late twelfth century, and its relevance for contemporary theoretical debates about conceptual knowledge.","PeriodicalId":142442,"journal":{"name":"Revisioning French Culture","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"What’s in a Word?\",\"authors\":\"Stephen G. Nichols\",\"doi\":\"10.2307/j.ctvs32sxg.16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Stephen Nichols’s text analyzes one of the most famous examples of troubadour lyric, Peire d’Alverna’s Occitan canso Cantarai d’aqestz trobadors (‘I’ll sing about these troubadours’). Nichols explores its formal, linguistic, and epistemological character, its status in the broader literary-historical context of the late twelfth century, and its relevance for contemporary theoretical debates about conceptual knowledge.\",\"PeriodicalId\":142442,\"journal\":{\"name\":\"Revisioning French Culture\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revisioning French Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctvs32sxg.16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revisioning French Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctvs32sxg.16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
斯蒂芬·尼科尔斯的文章分析了最著名的游吟诗人抒情诗之一，皮埃尔·德·阿尔维尔纳的奥西坦canso Cantarai d ' aqestz trobadors(“我要唱这些游吟诗人”)。尼科尔斯探讨了它的形式、语言和认识论特征，它在12世纪后期更广泛的文学历史背景中的地位，以及它与当代关于概念知识的理论辩论的相关性。
Stephen Nichols’s text analyzes one of the most famous examples of troubadour lyric, Peire d’Alverna’s Occitan canso Cantarai d’aqestz trobadors (‘I’ll sing about these troubadours’). Nichols explores its formal, linguistic, and epistemological character, its status in the broader literary-historical context of the late twelfth century, and its relevance for contemporary theoretical debates about conceptual knowledge.
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