{"title":"„Toczy się ciemna rzeka”. Aporie i ambiwalencje \"Nokturnu\" drugiego Władysława Sebyły","authors":"Miłosz Piotrowiak","doi":"10.31338/10.31338/2657-599x.ph.2022-3.7","DOIUrl":null,"url":null,"abstract":"Władysław Sebyła’s Second \"Nocturne\" is a major chord in this partly literary, partly musical series of poems. The author of the article tries to unravel the mystery of the dark tones and black color that dominate the tenor and landscapes of this text. The “aporias and ambivalences” mentioned in the title are the key to the semantics of this represented world. The analysis of individual lines shows their compositional dominant and great carrying power of meanings. Aporia, which is a semantic vortex, and ambivalence, which always sees the two opposing banks of this metaphorical river, illustrate well the literary intention of Sebyła and the interpretative intent of the author of the article.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"103 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Przegląd Humanistyczny","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31338/10.31338/2657-599x.ph.2022-3.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Władysław Sebyła的第二“夜曲”是这个部分文学,部分音乐系列诗歌的主要和弦。这篇文章的作者试图揭开黑暗的色调和黑色的色彩,主导了这篇文章的男高音和风景的奥秘。标题中提到的“不安和矛盾”是这个被呈现世界的语义的关键。对单行的分析显示出其构成的主导地位和巨大的意义承载力。作为语义漩涡的阿波利亚和始终看到这条隐喻河两岸对立的矛盾心理,很好地说明了Sebyła的文学意图和文章作者的解释意图。
„Toczy się ciemna rzeka”. Aporie i ambiwalencje "Nokturnu" drugiego Władysława Sebyły
Władysław Sebyła’s Second "Nocturne" is a major chord in this partly literary, partly musical series of poems. The author of the article tries to unravel the mystery of the dark tones and black color that dominate the tenor and landscapes of this text. The “aporias and ambivalences” mentioned in the title are the key to the semantics of this represented world. The analysis of individual lines shows their compositional dominant and great carrying power of meanings. Aporia, which is a semantic vortex, and ambivalence, which always sees the two opposing banks of this metaphorical river, illustrate well the literary intention of Sebyła and the interpretative intent of the author of the article.