大师祖先

Vaughn A. Booker
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引用次数: 0

摘要

本章考察了对已故爵士音乐家的崇敬,以及其他音乐家、创意艺术家、机构和公众庆祝他们记忆的做法。爵士乐界通过表彰那些如今已成为其先祖的杰出成员,宣告了纪念这些音乐家、继续表演他们的音乐、继承即兴精神、根据虔诚的表演者自己的宗教和精神位置来诠释他们的作品的重要性。非裔美国人庆祝艾灵顿公爵、艾拉·菲茨杰拉德和玛丽·卢·威廉姆斯的宗教习俗描绘了这些已故音乐家的新生活或来世,这些音乐家从那些留下的人那里重新诠释了他们的遗产。在非裔美国人的庆祝活动中,许多非裔美国妇女的创造性作品产生了对爵士乐精湛技艺的宗教和精神诠释的重要记录。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Virtuoso Ancestors
This chapter examines the reverence for departed jazz musicians and the practices of fellow musicians, creative artists, institutions, and the public to celebrate their memory. By heralding its prominent members who are now its ancestors, the jazz community proclaims the importance of memorializing these musicians, of continuing to perform their music, and of inheriting the improvisational spirit to interpret their works according to the religious and spiritual locations of the reverential performers themselves. African American religious practices of celebrating Duke Ellington, Ella Fitzgerald, and Mary Lou Williams chart the new lives—or afterlives—that these deceased musicians gain from those left to interpret their legacies anew. And among African American celebrants, the creative works of many African American women produce a significant record of religious and spiritual interpretations of jazz virtuosity.
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