偶遇Ii

P. E. Pfeifer
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引用次数: 0

摘要

电影业分析师大卫·菲茨休必须对即将上映的电影《偶遇》续集版权的价值进行估算。《绯闻女孩》的制片人打算用出售续集版权所得的钱来资助原电影的制作。通过购买《CE》的续集版权,客户打算制作《CE》的续集——如果原电影取得成功的话。2003年4月,David Fitzhugh,一位受人尊敬的电影行业分析师,被雇佣来评估一个不同寻常的商业点子——购买一部即将制作的电影的续集版权。大约六个月前,温暖兄弟工作室向菲茨休的客户提出了一项建议。以300万美元的价格,暖兄弟公司愿意出售其最新电影《偶遇》续集的版权。一系列表现不佳的电影让温暖兄弟亟需资金来为这部最新的电影提供资金。温瑟将用300万美元的续集版权费来帮助支付制作《偶遇》的估计2500万美元成本。作为回报,菲茨休的客户将获得制作《偶遇》续集的独家权利。Fitzhugh面临的挑战是评估这个建议,并将他的发现报告给客户,一个非常成功的独立电影制片人。电影走向大众要经历三个阶段:制作、发行和放映。制作是指电影的实际制作。这个阶段的总成本被称为底片成本:制作电影的主底片的成本。通常,负成本的最大组成部分是演员和导演的工资、布景设计和建设、运输。平均而言,一部电影的制作时间约为一年,负成本约为3000万美元. . . .
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Chance Encounters Ii
Movie-industry analyst David Fitzhugh must estimate the value of the sequel rights associated with Chance Encounters (CE), a soon-to-be-produced movie. The producers of CE intend to use the cash from the sale of the sequel rights to help fund production of the original movie. With the purchase of the sequel rights to CE, the client intends to produce a sequel to CE--should the original movie prove successful. Excerpt UVA-QA-0783 Rev. Jun. 15, 2012 Chance Encounters II In April 2003, David Fitzhugh, a respected movie-industry analyst, was hired to evaluate an unusual business idea—the purchasing of the sequel rights associated with a soon-to-be-produced movie. About six months earlier, Warmer Brothers Studios had approached Fitzhugh's client with a proposal. For $ 3 million, Warmer Brothers offered to sell the rights to produce a sequel to Chance Encounters, Warmer Brothers' newest movie. A string of poorly performing movies had left Warmer Brothers badly in need of cash to finance this latest project. Warmer would use the $ 3 million sequel-rights fee to help defray the estimated $ 25 million cost of making Chance Encounters. In return, Fitzhugh's client would receive exclusive rights to produce a sequel to Chance Encounters. Fitzhugh's challenge was to evaluate this proposal and report his findings to the client, a very successful independent-movie producer. The Basics of the Movie Business Movies went through three stages to reach the public: production, distribution, and exhibition. Production was the actual making of the movie. The total cost for this stage was called negative cost: the cost to produce the master negative of the movie. Typically, the largest components of negative cost were salaries of the actors and director, set design and construction, and transportation. On average, production of a movie took about a year, at a negative cost of around $ 30 million. . . .
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