家:波兰犹太人大屠杀自传体文本中的恐怖暴力场所

N. Aleksiun, Karolina Szymaniak
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引用次数: 0

摘要

自传经常以作者对家的理解为特色,认为家是创造自我的锚定之地。虽然在这些文本中,家经常唤起童年和家庭,但在20世纪东欧犹太人生活的背景下,家成为一个具有双重功能的复杂场所。由于德国当局在第二次世界大战早期就以犹太人的物质文化为目标,对公共建筑和家庭住宅的破坏是不可避免的;对许多人来说,这是他们第一次遭遇纳粹屠杀欧洲犹太人的计划。我们认为,在犹太人战时的自传体文本中,家既是一种对地方的怀念,也是一种对代表亲密、庇护和归属感的物体的怀念,同时也是一种深刻损失的标志。我们通过分析20世纪40年代以来一系列波兰犹太人的自我文献来追溯家的双重意义。通过这种分析,我们发现家的双重功能使作者(在文本上)居住在一个记忆的地方,主张对战前生活的要求,并拥有自己特定的物质文化,同时也描绘了一种萦绕的空虚,这种空虚代表了作家无法通过语言表达的其他损失。为了在文本中详细阐述家庭的功能,我们借鉴并扩展了住所的概念,它将失去家园确定为一种特定类型的暴力。我们的结论是,反犹太暴力对自我的影响是通过记忆和物质文化的神秘萦绕来表达的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Home as an Uncanny Site of Violence in Polish-Jewish Autobiographical Texts on the Holocaust
Autobiographies frequently feature the author’s understanding of home as an anchoring ground for the creation of the self. While home in such texts often invokes childhood and family, in the context of Jewish life in twentieth-century Eastern Europe, home became a complex site with a double function. Because the German authorities targeted Jewish material culture early in World War II, the destruction of communal buildings and family dwellings was unavoidable; for many, it was the first encounter with what would become the Nazi project to murder the Jews of Europe. We argue that home in Jewish wartime autobiographical texts is made to signify both a nostalgic longing for the place and objects that represent intimacy, shelter, and belonging, and at the same time, a marker of profound losses. We trace this double meaning of home by analyzing a range of Polish-Jewish ego-documents from the 1940s. Through this analysis, we show that home’s double function allowed the authors to inhabit (textually) a place of memory, asserting a claim to a prewar life with its own specific material culture, while also depicting a haunted emptiness that stands in for other losses that the writer cannot represent through language. To develop this elaboration of home’s function in the texts, we draw on and expand the concept of domicide, which identifies the loss of home as a specific type of violence. We conclude that the impact of anti-Jewish violence on the self is expressed through memory and uncanny hauntings of material culture.
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