真正的魔法工具:小册子的恐怖用具(阿普列乌斯,Met. 3,17,4-5)

L. Costantini
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引用次数: 1

摘要

这项研究的目的是揭示新的光在描述女巫小册子的实验室在Apul巫术的物质性。满足。3,4 - 5。通过将这段文字与霍勒斯、卢坎和彼得罗尼乌斯早期对魔法用具的描述进行比较,并将其与非文学证据(尤其是《希腊纸莎草》和《解咒表》)进行比较,就可以看出阿普列乌斯是如何借鉴魔法的物质文化,为读者提供一种异常现实和可怕的描述的。Leonardo Costantini是Albert-Ludwigs-Universität Freiburg的博士后研究员,在那里他正在为Apuleius的《变形记3》撰写一篇新的评论,以完成GCA系列。他的研究主要集中在阿普列夫斯的文学作品,古代小说,第二诡辩家的作品的文学和文本方面,考虑到他们的社会文化背景,特别关注希腊罗马魔法。他的博士论文的修改版本,致力于阿普莱乌斯的辩辞和魔法,即将在德格鲁伊特,系列:Beiträge zur Altertumskunde。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Real Tools of Magic: Pamphile’s Macabre Paraphernalia (Apuleius, Met. 3,17,4-5)
This study aims to shed new light on the references to the materiality of magic in the description of the witch Pamphile’s laboratory at Apul. Met. 3,17,4-5. Through comparing this passage with earlier descriptions of magical paraphernalia in Horace, Lucan, and Petronius and by drawing parallels with non-literary evidence – especially the Papyri Graecae Magicae and the Defixionum Tabellae – it will be shown how Apuleius borrows from the material culture of magic to provide his readership with an exceptionally realistic and gruesome account. Leonardo Costantini is a postdoctoral research fellow at the Albert-Ludwigs-Universität Freiburg, where he is working on a new commentary on Apuleius’ Metamorphoses 3 to complete the GCA series. His research focuses on the literary and textual aspects of Apuleius’ literary works, the ancient novels, writings of the Second Sophistic, taking into account their socio-cultural background with particular attention to Greco-Roman magic. A reworked version of his doctoral dissertation, devoted to Apuleius’ Apologia and magic, is forthcoming at De Gruyter, series: Beiträge zur Altertumskunde.
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