信息战的快照:俄乌冲突中的宣传、互文性和受众设计

Marianna Patrona
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引用次数: 0

摘要

本文提出了一种新的概念,认为宣传是一种强大的(多模态)话语和社会文化实践的形式,它们是垂直的(从精英演员到大众)和水平的(起源于和/或在流行演员之间传播)。根据受众设计的概念,本文研究了在俄罗斯于2022年2月24日入侵乌克兰后爆发的俄乌战争第一阶段(2022年3月)中,互文性和情感修辞作为战术资源在一系列政治表演中的使用。通过对乌克兰和美国战争领导人发表的政治演讲的批判性话语分析,以及对两个社交媒体视频的多模态分析,我们发现信息战的话语方面包括通过互文引用来实现与西方媒体的“文化共鸣”的精心受众设计,同时也利用情感领域,通过精心构建针对多个受众的情感诉求。本文呼吁关注网络新闻作为宣传的一个关键方面,在重新语境化和放大这些政治表演的关键信息方面所起的作用,并对当前多样化和混合媒体格局下信息战期间战略叙事的修辞结构提供了见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Snapshots from an information war: Propaganda, intertextuality, and audience design in the Russia–Ukraine conflict
This article argues for a novel conceptualization of propaganda as powerful (multimodal) discourse and forms of sociocultural practice that are both vertical (from elite actors to the populace) and horizontal (originating from and/or circulating among popular actors). Drawing upon the concept of audience design, the article examines the use of intertextuality and affective rhetoric as tactical resources in a set of political performances delivered during the first phase of the Russia–Ukraine war (March 2022) that erupted following the Russian invasion of Ukraine on 24 February 2022. Through critical discourse analysis of political speeches delivered by the war leaders of Ukraine and the US, as well as multimodal analysis of two social media videos, it is shown that discursive aspects of the information war include meticulous audience design through intertextual references that achieve “cultural resonance” with western media, while also leveraging the affective domain, through carefully framed emotional appeals targeted at multiple audiences. The article calls attention to the role of online news for recontextualizing and amplifying key messages from these political performances as a key aspect of propaganda, and offers insights into the rhetorical construction of strategic narratives during information war in the current diverse and hybrid media landscape.
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