{"title":"情感诗学与公众通道:环境艺术的关键挑战。","authors":"L. Williams","doi":"10.60162/swamphen.3.10603","DOIUrl":null,"url":null,"abstract":"While this paper recognises that the dominant discourses of contemporary art remain anthropocentric, it identifies environmental art as a relatively recent movement in a shift towards a nascent cultural recognition of shared human and nonhuman global ecologies. Using the heuristic contrast of a ‘slow’ art of affective poetics as against a ‘fast’ art of public accessibility, the paper aims to define some of the major critical challenges of contemporary environmental art. In particular, whilst acknowledging the pressing need for a cultural response to climate change and loss of biodiversity, it considers some of the problems in the use of what it refers to heuristically as ‘fast’ art as a means of proselytising an environmental message. On the other hand, the paper questions how a ‘slow’ art of affective poetics might be adapted to reach a wider public. ","PeriodicalId":197436,"journal":{"name":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2013-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Affective poetics & Public access: the critical challenges of environmental art.\",\"authors\":\"L. Williams\",\"doi\":\"10.60162/swamphen.3.10603\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"While this paper recognises that the dominant discourses of contemporary art remain anthropocentric, it identifies environmental art as a relatively recent movement in a shift towards a nascent cultural recognition of shared human and nonhuman global ecologies. Using the heuristic contrast of a ‘slow’ art of affective poetics as against a ‘fast’ art of public accessibility, the paper aims to define some of the major critical challenges of contemporary environmental art. In particular, whilst acknowledging the pressing need for a cultural response to climate change and loss of biodiversity, it considers some of the problems in the use of what it refers to heuristically as ‘fast’ art as a means of proselytising an environmental message. On the other hand, the paper questions how a ‘slow’ art of affective poetics might be adapted to reach a wider public. \",\"PeriodicalId\":197436,\"journal\":{\"name\":\"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)\",\"volume\":\"34 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2013-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.60162/swamphen.3.10603\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.60162/swamphen.3.10603","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Affective poetics & Public access: the critical challenges of environmental art.
While this paper recognises that the dominant discourses of contemporary art remain anthropocentric, it identifies environmental art as a relatively recent movement in a shift towards a nascent cultural recognition of shared human and nonhuman global ecologies. Using the heuristic contrast of a ‘slow’ art of affective poetics as against a ‘fast’ art of public accessibility, the paper aims to define some of the major critical challenges of contemporary environmental art. In particular, whilst acknowledging the pressing need for a cultural response to climate change and loss of biodiversity, it considers some of the problems in the use of what it refers to heuristically as ‘fast’ art as a means of proselytising an environmental message. On the other hand, the paper questions how a ‘slow’ art of affective poetics might be adapted to reach a wider public.