具体化缺席和唤起祖先:一个合作的遭遇

Davina Kirkpatrick
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引用次数: 1

摘要

本文认为,正如Kester(2011)所建议的那样,通过参与、对话、合作和沉浸式体验的发生,研究过程、关系和友谊的关键要素通过参与缺席和在场作为所选活动和身体体验的一部分而加深和丰富。下面的叙述探讨了视觉艺术作品的生产和共同创造的仪式体验是如何在一个选定的景观中编织一个飘渺的安全网,跨越失落的鸿沟,并提出了缺席和存在、个人失落和协作共享经验的问题;仪式、谈话和物品制作的力量使人们注意到在场或不在场。我的论点建立在在场、明显缺席和他者的概念上(Law, 2004, pp. 84-85),并扩展了缺席可以位于空间中、具有物质性和代理性的观点(Meyer & Woodthorpe, 2008)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Embodied Absence and Evoking the Ancestors: A Collaborative Encounter
This paper argues that through participation, dialogue, co-action and the occurrence of immersive experiences, as suggested by Kester (2011), key elements of the research process, relationship, and friendship deepen and are enriched by engaging with absence and presence as part of a chosen activity and bodily experience. The following narrative explores how the production of visual artwork and co-created ritual experience in a chosen landscape weaves a gossamer safety net across the chasm of loss and raises questions of absence and presence, personal loss and the collaborative shared experience; the power of ritual, conversation, and object-making give attention to the presence of absence. My argument builds on the notion of presence, manifest absence and Otherness (Law, 2004, pp. 84-85) and extends the ideas that absence can be located in space and have materiality and agency (Meyer & Woodthorpe, 2008).    
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