喜剧,基督教和情节剧的影响:撒旦的悲伤在沙夫茨伯里剧院

Leanne Waters
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引用次数: 1

摘要

本文考察了保罗·m·伯顿和赫伯特·伍德盖特1897年在伦敦沙夫茨伯里剧院上演的情节剧《撒旦之苦》。该剧改编自玛丽·科雷利的同名畅销小说(1895年)。在这篇文章中,我将展示这部舞台剧是如何将喜剧注入科雷利的故事中,同时保持甚至可能扩大其说教式的基督教。通过对伯顿和伍德盖特戏剧技巧的探索,以及对这部作品的评价,我们可以看到,维多利亚时代晚期的宗教情节剧在情感和视觉上都很强大,而且能够表现出相当细微的差别。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Comedy, Christianity and Melodramatic Affect: The Sorrows of Satan at the Shaftesbury Theatre
This article examines Paul M. Berton and Herbert Woodgate’s 1897 melodrama, The Sorrows of Satan, which opened at the Shaftesbury Theatre in London. The play was adapted from Marie Corelli’s bestselling novel of the same name (1895). In this article, I show how the stage production injected comedy into Corelli’s story, while maintaining and perhaps even amplifying its didactic Christianity. In exploring the techniques of the Berton and Woodgate play, and tracking the production’s critical reception, we can see that late-Victorian religious melodrama was both affectively and visually powerful, as well as capable of considerable nuance.
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