苦难展露

Daniel P. Johnson, R. Pickin
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引用次数: 0

摘要

英国监狱博物馆常常过分简化与历史犯罪有关的复杂的社会和文化问题,而倾向于重点关注刑罚改革的展览。这种对历史事实的遗漏会影响对囚犯经历的解释。对监狱博物馆进行的大多数研究更普遍地关注这一问题,但尚未审查通过服装解释呈现的历史囚犯的具体叙述。本文试图通过分析两个博物馆中对女性囚犯、监狱工作人员和历史人物之间不合时宜的互动的有问题的解释来弥补这一点;诺丁汉的国家司法博物馆和约克城堡博物馆。本文考察了某些人物是如何在遗址中被描绘出来的,以及他们的特征是如何偏离历史记录的。它认为,忽视这些遗址的核心历史事实可能会严重歪曲历史人物及其案例。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Suffering on Display
British prison museums often over-simplify complex social and cultural issues relating to historical crimes in favour of exhibitions heavily focused on penal reform. This omission of historical facts can affect the interpretation of prisoner experiences. Most studies conducted on prison museums have focused more generally on this issue but have not yet examined specific narratives of the historical prisoners that are presented through costumed interpretation. This article seeks to remedy this via an analysis of problematic interpretations of female prisoners, prison staff, and anachronistic interactions between historic individuals at two museums; The National Justice Museum in Nottingham and York Castle Museum. The article examines how certain characters are portrayed at the sites and how their characterisations depart from the historical record. It argues that the neglect of central historical facts at these sites may severely misrepresent historical individuals and their cases.
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