从布伯的“我与你”哲学角度分析马拉默德的散文

Shpëtim Madani
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摘要

本文试图从马丁·布伯的“我-你”哲学的角度来分析犹太裔美国作家伯纳德·马拉默德(1914-1986)的散文,这种哲学旨在从“我-它”向“我-你”的过渡。“我-它”指的是与世界的主体对客体的联系,而“我-你”指的是与另一个人(包括动物或无生命的物体)的主体对主体的关系。这种关系需要承担责任,并通过爱得到最好的体现。这项研究揭示了马拉默德英雄的转变,从一个自负的个体,首先把别人当作仅仅是反对的人,到把他们当作同样重要的人。这种道德进化发生在布柏利的自我哲学模式中。这两个参与实体的转变并不容易发生,因为主角的过去相当黑暗,他最初不信任这个世界。这样,在他的救赎之路上,男性角色通常受到女性角色的鼓励和引导,作为另一个自我,提醒他作为一个人的责任和人文主义。分析开始于对布伯哲学思想的简短介绍,然后通过马拉默德的主要作品加以说明。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
AN ANALYSIS OF MALAMUD’S PROSE FROM THE PERSPECTIVE OF BUBER’S I-YOU PHILOSOPHY
This paper seeks to analyze the prose of Jewish-American writer Bernard Malamud (1914-1986) from a perspective of Martin Buber’s I-You philosophy, which aims toward a transition from I-It to I-You. The I-It connection entails a subject-to-object connection with the world, whereas I-You refers to a subject-to-subject relationship with another human being, including an animal or inanimate object. This sort of relation entails responsibility and is best manifested through love. The study sheds light on the transformation of the Malamudian hero from an egotistical individual who first treats others as merely objects to regarding them as equally important human beings. This moral evolution occurs in the mode of Buberian I-You philosophy. This transition whereby both participating entities are transformed does not occur easily because the protagonist’s past is considerably dark and he is initially distrustful of the world. This way, on his road to redemption the male character is generally encouraged and guided by the female counterpart, serving as an alter ego that reminds him of his responsibility and humanism as a human being. The analysis begins with a short introduction into Buber’s philosophical ideas, which are then illustrated through Malamud’s major works.
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