{"title":"真实的表演:瑞秋·科里在舞台上的见证","authors":"Tugba Aygan","doi":"10.26417/EJLS.V8I1.P141-146","DOIUrl":null,"url":null,"abstract":"In response to the chaotic atmosphere of the twentieth century, defined by an enormous scepticism about politics and media, theatre emerged out as a source of truth through plays compiled from spoken testimonies of real people, interviews, documents and recordings of real events and many other authentic materials. Named variably as theatre of the real, documentary theatre or verbatim theatre, those plays challenged their audiences into an inescapable confrontation with real events and serious issues around the world. Edited by the British actor and theatre director Alan Rickman and the Guardian journalist Katharine Viner, one of the key examples of verbatim theatre, My Name is Rachel Corrie, was premiered in April 2005 at Royal Court in London. Based on Israel-Palestine conflict, the play is constructed on the e-mails and diaries of an American peace-activist Rachel Corrie who was killed by an Israeli bulldozer in Gaza in 2003. After providing a history of documentary theatre, this paper discusses the controversial productions of My Name is Rachel Corrie as an example of testimony.","PeriodicalId":350970,"journal":{"name":"EJLS European Journal of Language and Literature Studies Articles","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Acting Real: Testimony of Rachel Corrie on Stage\",\"authors\":\"Tugba Aygan\",\"doi\":\"10.26417/EJLS.V8I1.P141-146\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In response to the chaotic atmosphere of the twentieth century, defined by an enormous scepticism about politics and media, theatre emerged out as a source of truth through plays compiled from spoken testimonies of real people, interviews, documents and recordings of real events and many other authentic materials. Named variably as theatre of the real, documentary theatre or verbatim theatre, those plays challenged their audiences into an inescapable confrontation with real events and serious issues around the world. Edited by the British actor and theatre director Alan Rickman and the Guardian journalist Katharine Viner, one of the key examples of verbatim theatre, My Name is Rachel Corrie, was premiered in April 2005 at Royal Court in London. Based on Israel-Palestine conflict, the play is constructed on the e-mails and diaries of an American peace-activist Rachel Corrie who was killed by an Israeli bulldozer in Gaza in 2003. After providing a history of documentary theatre, this paper discusses the controversial productions of My Name is Rachel Corrie as an example of testimony.\",\"PeriodicalId\":350970,\"journal\":{\"name\":\"EJLS European Journal of Language and Literature Studies Articles\",\"volume\":\"27 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-05-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EJLS European Journal of Language and Literature Studies Articles\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26417/EJLS.V8I1.P141-146\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EJLS European Journal of Language and Literature Studies Articles","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26417/EJLS.V8I1.P141-146","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
为了应对20世纪的混乱气氛,对政治和媒体的巨大怀疑,戏剧成为了真相的来源,通过由真人的口头证词、采访、真实事件的文件和录音以及许多其他真实材料汇编而成的戏剧。这些戏剧被称为真实的戏剧、纪实的戏剧或逐字逐句的戏剧,它们挑战着观众,让他们与世界各地的真实事件和严重问题进行不可避免的对抗。由英国演员兼戏剧导演艾伦·里克曼(Alan Rickman)和《卫报》记者凯瑟琳·维纳(Katharine Viner)编辑的《我叫瑞秋·科里》(My Name is Rachel Corrie)是逐字逐句戏剧的重要范例之一,于2005年4月在伦敦皇家宫廷剧院首演。该剧以巴以冲突为背景,根据2003年在加沙被以色列推土机杀害的美国和平活动家蕾切尔·科里的电子邮件和日记创作而成。在提供了纪录片戏剧的历史之后,本文以《我叫蕾切尔·科里》为例,讨论了有争议的作品。
In response to the chaotic atmosphere of the twentieth century, defined by an enormous scepticism about politics and media, theatre emerged out as a source of truth through plays compiled from spoken testimonies of real people, interviews, documents and recordings of real events and many other authentic materials. Named variably as theatre of the real, documentary theatre or verbatim theatre, those plays challenged their audiences into an inescapable confrontation with real events and serious issues around the world. Edited by the British actor and theatre director Alan Rickman and the Guardian journalist Katharine Viner, one of the key examples of verbatim theatre, My Name is Rachel Corrie, was premiered in April 2005 at Royal Court in London. Based on Israel-Palestine conflict, the play is constructed on the e-mails and diaries of an American peace-activist Rachel Corrie who was killed by an Israeli bulldozer in Gaza in 2003. After providing a history of documentary theatre, this paper discusses the controversial productions of My Name is Rachel Corrie as an example of testimony.