岁月的回响

Alicia Puglionesi
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引用次数: 0

摘要

本章考察了人类与机器组合的历史,这些组合被用来为死者说话,并比较了19世纪美国唯心论运动与当今超人类主义思想上传的做法。在这两种情况下,媒介传播的形式通过涉及媒介的参与性表演(意识处于恍惚状态的人或一套算法)、死者和观众,赋予死者在社会中持续的声音。《灵媒》变成了一个剧场,在这个剧场里,观众既渴望又质问死亡通讯技术的能力。本章关注这些技术隐含的自我模型,这些模型按照笛卡尔二元论的传统,将精神内容——软件——从其表达载体——硬件——分解开来。本章认为,问题中的技术不可避免地以相关的方式构成了占有性个人主义的政治概念,这种概念在从人类执行的媒介向专有软件产品中实例化的自我的转变中变得商品化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Echoes Down the Years
This chapter examines the history of human-machine assemblages used to speak for the dead, comparing the practices of the nineteenth-century American Spiritualist movement with those of present-day transhumanist mind-uploading. In both cases, forms of mediated communication give the dead a continuing voice in society through a participatory performance involving the medium—a person whose consciousness is suspended in a state of trance, or a set of algorithms—the deceased, and an audience. Mediumship becomes a theater in which audiences both desire and interrogate the capabilities of necro-communication technology. The chapter attends to these technologies’ implied models of selfhood, which disaggregate mental content—software—from the vehicle of its expression—hardware—in the tradition of Cartesian dualism. The chapter argues that the technologies in question inevitably structure, in concerning ways, political notions of possessive individualism, which become commoditized in the shift from human-performed mediumship to selfhood instantiated in proprietary software products.
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