变得“无知”和“不专业”

Stella Hadjineophytou
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引用次数: 0

摘要

这篇文章探讨了残疾的语言如何影响音乐治疗师对他们工作的人的看法。对文献的回顾研究了音乐治疗的话语和实践是如何受到残疾模型的影响的,特别是在使用个人第一和身份第一的语言方面。考虑到语言影响音乐治疗师无意识的感知、选择和行动的力量,导致音乐治疗师与天生的残疾主义社会结构之间的勾结,这一点得到了总结。这篇文章的后半部分呈现了作者的内省之旅,有意识地改变语言,改变观念,并在与Kirsty的音乐治疗过程中颠覆权力不平衡,Kirsty是一位患有自闭症的年轻女性,她参加了心理健康治疗。案例研究结合了Kirsty自己的书面反思,以展示合作和学习的潜力,作为这一旅程的一部分。这篇文章的结论是,音乐治疗师可能会寻求机会,在与他们一起工作的人的关系中变得“无知”和“不专业”,以创造整体的学习空间,体现和体现授权语言。这篇文章的语言体现了作者对身份第一语言的偏好。在提到Kirsty时,应她的要求使用人称第一语言。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Becoming "Unknowing" and "Inexpert"
This article explores how the language of disability affects music therapists’ perceptions of the people they work with. A review of the literature examines how music therapy discourse and practice has been influenced by models of disability, specifically in the use of person-first and identity-first language. This is summarised by considering the power of language to affect the unconscious perceptions, choices, and actions of music therapists, leading to collusion between music therapists and inherently ableist social structures. The second half of this article presents the author’s introspective journey of consciously changing language, shifting perceptions, and subverting power imbalances in music therapy sessions with Kirsty, a young woman with autism attending sessions for her mental health. The case study incorporates Kirsty’s own written reflections to demonstrate the potential for collaboration and learning as part of this journey. The article concludes that music therapists might seek opportunities to become “unknowing” and “inexpert” in relation to the people they work with, in a bid to create holistic learning spaces that manifest and embody empowering language. The language of this article reflects the author’s preference for identity-first language. Person-first language is used in reference to Kirsty, at her request. 
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