第二屏幕应用动态适应的支持架构

Carlos Eduardo Viana Valente, C. Souza
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引用次数: 1

摘要

社交网络的动态越来越多地驱使电视观众在观看他们喜欢的节目时进行互动。通过投票,聊天,新闻和其他机制,以便更直接地与这些观众对话。然而,社交网络仅为这类媒体提供了部分互动方式,因为它们不是为处理电视节目的特性而设计的。为此,Second Screen应用程序被创建,它们可以被理解为电视屏幕的延伸,其中任何信息或交互都可以通过智能手机或平板电脑的应用程序呈现给用户。与社交网络不同,Second Screen应用程序是由广播公司专门为电视用户提供的。对于电视台来说,有必要开发几个应用程序,以覆盖他们日程中的各种节目,因此这给公司带来了费用,这可能解释了这些广播公司大量使用社交网络,以便与观众互动。因此,本文旨在为通用第二屏幕应用程序的动态更新提供一种支持架构。这种架构允许部署广播公司、节目、媒体、测验和任何其他第二屏幕功能,而无需广播公司创建新的应用程序或用户安装新的应用程序。结果表明,所提议的架构的多功能性为所有参与电视内容制作链的人员提供了几个好处。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Support Architecture for Second Screen Apps Dynamic Adaptation
The dynamics of social networks have increasingly driven TV viewers to interact while watching their favorite shows. By using polls, chats, news and other mechanisms in order to dialogue more directly with these viewers. However, social networks provide only a partial way of interaction for this type of media, since they were not designed to deal with the peculiarities of TV programs. To such purpose Second Screen applications were created, and they can be understood as an extension of the TV screen in which any information or interactions can be presented to users through apps for smartphones or tablets. Unlike social networks, Second Screen apps are made available by broadcasters specifically for TV users. For TV Stations, it is necessary to develop several applications in order to cover the various programs in their schedule, and as a consequence this generates expenses to companies, which may explain the massive use of social networks by these broadcasters in order to interact with viewers nowadays. Therefore, this paper aims at presenting a supporting architecture to a dynamic update of a generic Second Screen app. Such architecture enables the deployment of broadcasters, programs, media, quizzes and any other Second Screen features without the need to create new apps by broadcasters or install new apps by users. The results demonstrated several benefits that the versatility of the proposed architecture offers to all those involved in the chain of television content production.
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