自闭症个体钢琴教学的弹性与适应性管理

Dotan Nitzberg, M. Bakan
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引用次数: 0

摘要

合著者是一位患有自闭症谱系条件(ASC)阿斯伯格综合症(Nitzberg)的音乐会钢琴家和一位研究自闭症的民族音乐学家(Bakan)。通过他们的合作,他们的目标是为患有asc(也称为自闭症谱系障碍(ASD))的学生开发有效的钢琴教学方法,并促进自闭症患者的神经多样性和改善生活质量。这篇文章的核心部分是一份带注释的五项清单,列出了教阿斯伯格综合症患者弹钢琴的“该做和不该做”。Nitzberg和Bakan将这一列表置于Titon的适应性管理和弹性概念中,他们提出,除了它们在音乐教育中的直接价值之外,所探索的人际教学参与与它们可能揭示的音乐文化在维持社区和(生态)系统中的作用具有进一步的相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Resilience and Adaptive Management in Piano Pedagogy for Individuals with Autism Spectrum Conditions
The co-authors are a concert pianist with the autism spectrum condition (ASC) Asperger's syndrome (Nitzberg) and an ethnomusicologist who researches autism (Bakan). Through their collaboration, they aim to develop effective piano pedagogy methods for students with ASC–also known as autism spectrum disorder (ASD)–and promote neurodiversity and improved quality of life for autistic individuals. The centerpiece of the article is an annotated, five-item list of “dos and don'ts” for teaching piano to people with Asperger's syndrome. Situating that list within Titon's concepts of adaptive management and resilience, Nitzberg and Bakan propose that beyond their direct value in music education, the interpersonal pedagogical engagements explored hold further relevance for what they might reveal generally about the role of musical cultures in sustaining communities and (eco)systems.
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