C. Snowber
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引用次数: 0

摘要

《Dancesong》是一篇反思性的文章,探讨了作者在疫情隔离时期的身体和舞蹈实践:在她家附近的地方散步、跳舞和写作。在野生和城市景观的边缘,以及脆弱的内在景观中,她以双脚行走作为一种开放注意力的方式,探索体现的探究方式的亲密性。泥土、海洋、土壤和植物成为这些躯体和诗意反射发生的地形。在与创作的合作中,邀请通过微小的舞蹈来回应这一刻,并充分享受当下的意义。作为一个以艺术为基础的研究者,这篇文章是用诗意和本能的语言写成的,尊重从血肉、骨骼和韧带的呼吸和句法中产生的语言之间的关系。诗意的语言和诗歌是回应创造和被再创造作为一种表达方式的核心。这个短片中穿插着诗歌、图像和运动实践的视频,唤起了创作中的呼唤和回应。读者被邀请去打开智慧具体化的认识,并通过自己的身体实践被重新创造。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dancesong
Dancesong is a reflective article that explores the author’s somatic and dance practice in times of isolation in a pandemic: walking, dancing and writing in sites in proximity to her home. On the edge of wild and urban landscapes as well as the inner landscape of fragility, she takes her feet walking as a way of opening up attention and exploring the intimacy of embodied ways of inquiry. Mud, sea, soil and flora become the terrain where these somatic and poetic reflections occur. In a collaboration with creation, the invitation is to respond to the moment through tiny dances and inhabiting the fullness of what it means to be present. As an arts-based researcher, this article is written in poetic and visceral language, honouring the relationship between language emerging from the breath and syntax of flesh and blood, bone and ligaments. Poetic language and poetry are central to responding to creation and being recreated as a way of articulating. Peppered through this short piece is poetry, images and videos of movement practices that evoke a call and response in creation. The reader is invited to open to the wisdom of embodied knowing and be recreated through their own somatic practices.
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