藏族服饰元素在CG动画创作中的应用研究

Yang Cao, Bingchao Qi, Qinyou Zhou
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摘要

本文从创作现代CG (COMPUTER GRAPHICS)动画技术与传承藏族文化相结合的角度进行研究。从服装元素中提取迪庆藏族文化的艺术特色,从小处看大,弘扬藏族民族文化,为动画艺术设计提供创作源泉。藏族服饰元素承载着藏族人民对美好生活的整体向往和热爱,体现了藏族人民的审美意识。通过对具有藏族特色的传统服饰、民间艺术中的面具装饰、与宗教文化相关的服饰元素进行整理和总结,可以为动画设计创作积累大量的设计灵感。根据迪庆藏格桑花的传说,展现了迪庆藏人的真实面貌和生活场景。提炼所需的造型,对一些具有艺术价值的因素进行再加工,升华为艺术形象。然后根据主题和构图添加适当的服饰元素。在藏族艺术的色彩观中,浑浊的色彩和灰色很少出现。常见的配色系统是简单朴素的颜色,如红、黄、蓝、绿、白等颜色给人带来壮观的视觉冲击。本研究未来将以迪庆藏族文化中视觉元素的运用为出发点,将藏族视觉元素以动画的形式进行传播和传承,为中国少数民族传统文化和现代动画创作提供有益的探索。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on the Application of Tibetan Costume Elements in CG Animation Creation
This paper studies from the perspective of combining the creation of modern CG (COMPUTER GRAPHICS) animation technology and carrying forward Tibetan culture. Extract the artistic characteristics of DiQing Tibetan culture from clothing elements, see the big from the small, carry forward Tibetan national culture and provide creative sources for animation art design. Tibetan clothing elements carry the Tibetan people's overall yearning and love for a better life and reflect their aesthetic consciousness. Through sorting and summarizing the traditional clothing with Tibetan characteristics, mask decoration in folk art and clothing elements related to religious culture, we can accumulate a lot of design inspiration for animation design and creation. According to the legend of kelsang flowers of DiQing Tibetan, show the real face and life scene of DiQing Tibetan. Refine the required modeling, reprocess some factors with artistic value, and sublimate them into artistic images. Then add appropriate dress elements according to the theme and composition. In the color view of Tibetan art, turbid colors and gray rarely appear. The common color systems are simple and simple colors such as red, yellow, blue, green and white color brings people a magnificent visual impact. This study will take the use of visual elements in Diqing Tibetan culture as the starting point in the future, Spread and inherit Tibetan visual elements in the form of animation and provide a beneficial exploration for Chinese minority traditional culture and modern animation creation.
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