{"title":"仓促阅读与文学价值:大学生阅读体验与批判性和共情投入的初步研究","authors":"G. Willmott, Michael Crouse","doi":"10.1353/esc.2020.0004","DOIUrl":null,"url":null,"abstract":"Recently, in an introduction to literature course, I began a class by asking my students what they thought about Gregor’s sister, Grete, in Kafka’s The Metamorphosis. Describe her character? I met silence. Retrenching, I asked them about the story’s protagonist, Gregor, the traveling salesman who turns into a giant insect. Describe his character? More silence. Had they read it? Or enough of it? Or carefully enough? They all looked tired, like they wanted to crawl away into a dusty corner of the room, perhaps under a sofa like Gregor, and be left alone.1 I could only speculate as to what they had read or how they had read. I was vulnerable, like many of us, to grim theories of the decline of books and the Twitterization of attention spans, but were they true? I have often felt in the dark about the most basic activity I ask my students to undertake—not literary analysis, but the experience of reading literature. How do students today read? What do they get out of it?","PeriodicalId":384095,"journal":{"name":"ESC: English Studies in Canada","volume":"66 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hasty Reading and Literary Values: A Pilot Study of University Student Reading Experience in Relation to Critical and Empathetic Engagement\",\"authors\":\"G. Willmott, Michael Crouse\",\"doi\":\"10.1353/esc.2020.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Recently, in an introduction to literature course, I began a class by asking my students what they thought about Gregor’s sister, Grete, in Kafka’s The Metamorphosis. Describe her character? I met silence. Retrenching, I asked them about the story’s protagonist, Gregor, the traveling salesman who turns into a giant insect. Describe his character? More silence. Had they read it? Or enough of it? Or carefully enough? They all looked tired, like they wanted to crawl away into a dusty corner of the room, perhaps under a sofa like Gregor, and be left alone.1 I could only speculate as to what they had read or how they had read. I was vulnerable, like many of us, to grim theories of the decline of books and the Twitterization of attention spans, but were they true? I have often felt in the dark about the most basic activity I ask my students to undertake—not literary analysis, but the experience of reading literature. How do students today read? What do they get out of it?\",\"PeriodicalId\":384095,\"journal\":{\"name\":\"ESC: English Studies in Canada\",\"volume\":\"66 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ESC: English Studies in Canada\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/esc.2020.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ESC: English Studies in Canada","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/esc.2020.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Hasty Reading and Literary Values: A Pilot Study of University Student Reading Experience in Relation to Critical and Empathetic Engagement
Recently, in an introduction to literature course, I began a class by asking my students what they thought about Gregor’s sister, Grete, in Kafka’s The Metamorphosis. Describe her character? I met silence. Retrenching, I asked them about the story’s protagonist, Gregor, the traveling salesman who turns into a giant insect. Describe his character? More silence. Had they read it? Or enough of it? Or carefully enough? They all looked tired, like they wanted to crawl away into a dusty corner of the room, perhaps under a sofa like Gregor, and be left alone.1 I could only speculate as to what they had read or how they had read. I was vulnerable, like many of us, to grim theories of the decline of books and the Twitterization of attention spans, but were they true? I have often felt in the dark about the most basic activity I ask my students to undertake—not literary analysis, but the experience of reading literature. How do students today read? What do they get out of it?