近距离观察特里马乔:巴赫金、詹姆斯·乔伊斯和亨利·米勒

O. Osovskii
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引用次数: 0

摘要

本文论述了“巴赫金与西方文学20世纪”问题的一个方面。这与学者对现代主义艺术成就的接受有关。作者分析了巴赫金对乔伊斯作品的接受。巴赫金的文集中所发表的材料可以让我们说,这位科学家知道《尤利西斯》作者作品的创新本质。巴赫金的方法论也是研究乔伊斯和他笔下人物的狂欢化、复调化世界的有效工具。H.米勒的小说对揭示所陈述的问题同样重要。米勒文本中的狂欢元素、身体底部的典型形象和内在复调是一种新的文学意识的标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CLOSE UP WITH TRIMALCHIO: M.M. BAKHTIN, JAMES JOYCE AND HENRY MILLER
The article deals with one of the aspects of the problem “MM. Bakhtin and the XXth Western Literature”. It is connected with the scholar’s reception of modernist artistic achievements. The author analyzes Bakhtin’s reception of J. Joyce’s work. The materials published in Bakhtin’s collected works allow us to say that the scientist knew the innovative nature of the works of the author of “Ulysses”. As well Bakhtin methodology is an effective tool for studying the deeply carnivalized and polyphonic world of J. Joyce and his characters. No less important for the disclosure of the stated problem is H. Miller’s fiction. The carnival elements of H. Miller’s texts, its characteristic images of the bodily bottom, and internal polyphony are another sign of a new literary consciousness.
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