{"title":"英国水彩画陈列与装裱历史概览","authors":"Shulla Jaques","doi":"10.1080/03094227.2000.9638426","DOIUrl":null,"url":null,"abstract":"Summary Outlining the rise in popularity of the British watercolour this article traces the development of specialized mounting boards with reference to suppliers' literature, in particular that of Winsor & Newton. It looks at the variety of boards available and mentions some of the aesthetic, fashionable and practical styles chosen by artists and mounters.","PeriodicalId":243922,"journal":{"name":"The Paper Conservator","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2000-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A glance at the history of display and mounting of British watercolours\",\"authors\":\"Shulla Jaques\",\"doi\":\"10.1080/03094227.2000.9638426\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary Outlining the rise in popularity of the British watercolour this article traces the development of specialized mounting boards with reference to suppliers' literature, in particular that of Winsor & Newton. It looks at the variety of boards available and mentions some of the aesthetic, fashionable and practical styles chosen by artists and mounters.\",\"PeriodicalId\":243922,\"journal\":{\"name\":\"The Paper Conservator\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2000-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Paper Conservator\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03094227.2000.9638426\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Paper Conservator","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03094227.2000.9638426","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A glance at the history of display and mounting of British watercolours
Summary Outlining the rise in popularity of the British watercolour this article traces the development of specialized mounting boards with reference to suppliers' literature, in particular that of Winsor & Newton. It looks at the variety of boards available and mentions some of the aesthetic, fashionable and practical styles chosen by artists and mounters.
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