旅行是答案:Bodo Kirchhoff“Widerfahrnis”

Violeta Katinienė
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引用次数: 0

摘要

旅行和对远方的向往一直是许多作家灵感的源泉。本文分析了波多·基尔霍夫的短篇小说《相遇》,它属于旅行文学的体裁,延续了德国作家(歌德、海涅、托马斯·曼等)在作品中选择意大利旅行为主题的文学传统。这个短篇小说提出了对爱的渴望、孤独、与难民的对抗以及与他们关系的道德和社会方面的存在问题。本文旨在揭示德国现象学家Bernhard Waldenfels所描述的经验结构如何出现在Bodo Kirchhoff的作品中。发生在我们身上的事情,并非没有我们的参与就会发生,而是会超越我们的参与。这种体验的开始并不是对象有意的凝视,而是当某人(一个陌生人)触摸我们,遇到我们,引起我们的反应并引起紧张时。伯恩哈德·瓦尔登费尔斯把这种相遇归结为悲情的境界,也就是感情的境界。对相遇的反应或必然的反应比理解或答案来得早。虽然短篇小说的标题是单数形式,但它揭示了许多相遇:一对老年夫妇的相遇,一次自发的意大利之旅,与一个难民女孩和一个难民家庭的相遇,爱情的诞生和失去。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Travel as the Answer: Bodo Kirchhoff “Widerfahrnis”
Travels and the longing for afar have been and still are the source of inspiration for many authors. This article analyses Bodo Kirchoff’s short story “Widerfahrnis” (“Encounter”), which belongs to the genre of travel literature and extends the literary tradition of German authors to choose the theme of travel to Italy in their work (Johann Wolfgang von Goethe, Heinrich Heine, Thomas Mann, etc.). The short story raises the existential questions of longing for love, loneliness, confrontation with refugees, and moral and social aspects of relations with them. The article aims to reveal how the structures of experience described by the German phenomenologist Bernhard Waldenfels appear in the work of Bodo Kirchhoff. What happens to us does not happen without our involvement but goes beyond it. The experience begins not with the intentional gaze of the subject, but when someone (a stranger) touches us, encounters us, causes us to react and raises tension. Bernhard Waldenfels attributes the encounter to the realm of pathos, meaning to the realm of feelings. Response or the inevitable response to an encounter comes earlier than an understanding or an answer. Although the title of the short story is in the singular form, it reveals many encounters: a meeting of an older couple, a spontaneous trip to Italy, an encounter with a refugee girl and a refugee family, the birth of love and its loss.
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