流亡的诗学

Megan Davis
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引用次数: 0

摘要

本文以路易丝·格尔克和马哈茂德·达尔维什的作品为基础,重新探索了一种跨国的、伊甸园式的想象的地位和潜力,作为一种归属感,在现代生活的异化中。在这里,跨国诗学拒绝僵化的边界和界限,寻求跨界、围绕、穿透和中间的多孔性和想象的可能性,伊甸园的想象包含了一种意识,它同时拥有神圣的记忆和对超越的渴望;这些阅读和观看的方式也折射了我的艺术创作,我试图在gl ck和达尔维什对伊甸园的诗意渲染中寻找无形的连接网络和人体组织。随着现代性、殖民化和全球化的力量的削弱和削弱,一种跨国的、伊甸园般的想象为我们对神圣居住地的渴望提供了语言和位置。作为一种探究的方法,这种阅读方式让研究者和读者都置身于诗学的阈限空间中。在gl克和达尔维什对伊甸园和流放的诗意探索的指导下,我开始思考诗歌本身是如何成为一种归属的混合场所的。我们希望,通过对gl ck和达尔维什以伊甸园为隐喻的诗句的深入(重新)阅读,诗歌探究可能为我们提供一种更全面地穿越生命、死亡、时间、渴望、空间和文化等范畴的方式,探索我们人类经历和对家的追求的复杂矩阵。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exiled Poetics
Taking up the writings of Louise Glück and Mahmoud Darwish, this essay (re)searches the place and potential of a transnational, Edenic imagination as a vision of belonging amidst the alienation of modern life. Where a transnational poetics rejects ossified borders and boundaries, seeking porosity and imaginative possibilities that work across, around, through, and in-between, an Edenic imagination embraces a consciousness that simultaneously holds holy memory alongside longing for transcendence; so too do these ways of reading and seeing refract in the art-making I attempt as I seek the invisible web of connective, human tissue present in the poetic renderings of Eden by Glück and Darwish. As forces of modernity, colonization, and globalization maim and sever, a transnational, Edenic imagination gives language and location to our thirst for sacred inhabitance. As a method of inquiry, such a reading invites both researcher and reader to dwell in the liminal space of poetics. Guided by the poetic explorations of Eden and exile by Glück and Darwish, I work to consider how poetry itself becomes a hybrid site of belonging. The hope is that, through a deep (re)reading of the verses in which Glück and Darwish employ Eden as a metaphor, poetic inquiry might provide a way for us to more fully traverse categories of life, death, time, longing, space, and culture, exploring the complex matrices of our human experience and pursuit of home. 
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