“我的信是谁的财产?”走进莫妮卡·洛维内斯库和维吉尔·伊伦卡的档案馆

Astrid Cambose
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引用次数: 0

摘要

“公共使用属于私有内存的对象是我写这篇文章时关心的问题。讨论的内容将是罗马尼亚夫妇Lovinescu-Ierunca在法国流亡60多年(1946年至2008年)期间收到的数百名被共产主义政权限制在罗马尼亚的知识分子的信件。这些文件属于这对夫妇,直到他们去世。“我的信是谁的财产?”这个问题现在——一旦收信人去世——可能会被任何一个幸存的通信人提出。(收信人成为他或她收到的所有信件的合法所有者;但如果受赠人去世后没有合法继承人怎么办?谁有权对这些信件的命运做出最终的法律决定?)因此,与公共政策最密切相关的记忆政治问题将成为我论文第一部分的主要焦点。接下来,我将谈谈莫妮卡·洛维内斯库从她母亲埃卡特琳娜·布利尔·洛维内斯库那里收到的信件的特殊情况,我对这些信件的处理如下:回收、筛选、翻译成罗马尼亚文(考虑到其中大多数是用法语写的,以逃避政治审查),由人道主义出版社出版,然后将这些信件的实体收藏转交给人道主义Aqua Forte基金会。编辑私人信件是我充分体验阿莱特·法奇(1989)所说的“档案的魅力”的一个机会。我将在研究的第二部分详细介绍这一经历。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Whose Property Are My Letters?” Inside Monica Lovinescu and Virgil Ierunca’s Archive
"Public use of objects belonging to private memory is what concerned me while writing this article. Under discussion will be the collection of letters received by Romanian couple Lovinescu–Ierunca during their more than sixty-year exile in France (1946-2008) from hundreds of fellow intellectuals confined to Romania by the communist regime. The documents belonged to the couple until their death. “Whose property are my letters?” is a question that may now—once the recipients are dead—be raised by any of their surviving correspondents. (The recipient becomes the rightful owner of all the letters he or she receives; but what if the recipient dies without any legal heirs? Who is entitled to the final and legal decision about the fate of those letters?) The politics of memory—issues most germane to public policy—will therefore be the main focus of the first part of my paper. Next, I shall address the special situation of the letters Monica Lovinescu received from her mother, Ecaterina Bălăcioiu-Lovinescu, a fonds which I managed as follows: recovery, selection, translation into Romanian (given the fact that most of them were written in French in order to evade political censorship), publication by Humanitas Publishing House, followed by the transfer of the physical collection to the Humanitas Aqua Forte Foundation. Editing that private correspondence was an occasion for me to fully experience what Arlette Farge (1989) has called “the allure of the archives.” I shall present this experience in detail in the second part of my study."
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