{"title":"文艺复兴是一个过程:波兰立陶宛联邦东正教教堂绘画的转变","authors":"Agnieszka Gronek","doi":"10.18523/1995-025x.2022.19.113-151","DOIUrl":null,"url":null,"abstract":"The Ruthenian Orthodox art in the Polish-Lithuanian Commonwealth in the sixteenth century opened itself to the influences of Western European culture. The article is devoted to а description and analysis of this phenomenon. Although for most of the seventeenth century no work emerged that was pure enough in terms of its style that it could be termed а fully Renaissance work, this fact does not mean that there wasn’t any Renaissance at all. Here the Renaissance was not а style, an epoch, or а period, but а process that unfolded over two centuries, without а strictly defined beginning and end.","PeriodicalId":180564,"journal":{"name":"Kyivan Academy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Renaissance as a Process: the Transformation in Orthodox Church Painting in the Polish-Lithuanian Commonwealth\",\"authors\":\"Agnieszka Gronek\",\"doi\":\"10.18523/1995-025x.2022.19.113-151\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Ruthenian Orthodox art in the Polish-Lithuanian Commonwealth in the sixteenth century opened itself to the influences of Western European culture. The article is devoted to а description and analysis of this phenomenon. Although for most of the seventeenth century no work emerged that was pure enough in terms of its style that it could be termed а fully Renaissance work, this fact does not mean that there wasn’t any Renaissance at all. Here the Renaissance was not а style, an epoch, or а period, but а process that unfolded over two centuries, without а strictly defined beginning and end.\",\"PeriodicalId\":180564,\"journal\":{\"name\":\"Kyivan Academy\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kyivan Academy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18523/1995-025x.2022.19.113-151\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kyivan Academy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18523/1995-025x.2022.19.113-151","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Renaissance as a Process: the Transformation in Orthodox Church Painting in the Polish-Lithuanian Commonwealth
The Ruthenian Orthodox art in the Polish-Lithuanian Commonwealth in the sixteenth century opened itself to the influences of Western European culture. The article is devoted to а description and analysis of this phenomenon. Although for most of the seventeenth century no work emerged that was pure enough in terms of its style that it could be termed а fully Renaissance work, this fact does not mean that there wasn’t any Renaissance at all. Here the Renaissance was not а style, an epoch, or а period, but а process that unfolded over two centuries, without а strictly defined beginning and end.