“骨头突然断成两截”:弗洛伊德、幻想和塔兰·漫游者

Liam Butchart
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引用次数: 0

摘要

劳埃德·亚历山大的《普赖丹编年史》引起了评论界的兴趣和大众的赞誉。值得注意的是,该系列的第四部《塔兰·漫游者》(Taran Wanderer)与前几部截然不同,它摆脱了许多高度奇幻的束缚,成为一部简单的成长小说。本文运用弗洛伊德的象征主义理论、家庭浪漫主义理论和俄狄浦斯冲突理论来研究文本,以阐明塔兰的潜在心理,并展示他作为弃儿的身份所塑造的人物无意识动机是如何推动叙事的。最后,通过运用读者反应理论的见解,本文考虑了为什么Taran Wanderer,以及更广泛的青少年奇幻文学,能与读者产生如此强烈的共鸣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Suddenly the bone snapped in two’: Freud, fantasy, and Taran Wanderer
ABSTRACT Lloyd Alexander’s Chronicles of Prydain have garnered both critical interest and popular acclaim. Notably, the fourth book of the cycle, Taran Wanderer, is strikingly different from its predecessors, shedding much of the trappings of high fantasy for a simple bildungsroman. This paper examines the text, using Freud’s theories of symbolism, the family romance and the Oedipal conflict, to elucidate Taran’s underlying psychology and to show how the character’s unconscious motivations, molded by his identity as a foundling, drive the narrative. Finally, by applying insights gained from reader-response theory, this paper considers why Taran Wanderer, and adolescent fantasy literature more broadly, resonates so strongly with readers.
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