现代乐队的传福音

Radio Cremata
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引用次数: 3

摘要

现代乐队是美国音乐教育文化的一个相对较新的补充,在K - 12和高等教育背景下引起了人们的注意。虽然流行音乐教育在现代乐队之前就有更悠久的血统和更深的根源,但与现代乐队最近的扩散和普及相关的新手给一群善意的音乐教育者带来了潜在的挑战。在许多情况下,他们的热情超过了他们的理解,他们的背景和与非现代乐队背景的互动揭示了一种跨文化困境,在这种困境中,学生、教师、音乐教师候选人和音乐教师教育者相互纠缠在一起,可能不了解情况。尽管如此,现代乐队仍在继续传播,并在业内获得了吸引力。这篇文章通过一个传福音的框架来探索现代乐队,并强调了它的一些动态的社会学实践,如皈依、新信徒和传教士。此外,本文还提供了一些建议和建议,以解决其中的一些挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Evangelism in modern band
Modern band is a relatively new addition to the US music education culture and is attracting attention in K‐12 and tertiary contexts. While popular music education has a longer lineage and deeper roots that precedes modern band, the neophytes associated with the recent proliferation and popularization of modern band present potential challenges to a well-intended group of music educators. In many cases, their enthusiasm outweighs their understanding, and their backgrounds in and interactions with non-modern band contexts reveal an intercultural dilemma in which students, teachers, music teacher candidates and music teacher educators are entwined and potentially ill-informed. Nonetheless, modern band continues to spread and gain traction within the profession. This article explores modern band through a framework of evangelism and highlights some of its dynamic sociological practices such as conversion, neophytes and missionaries. Furthermore, this article provides some suggestions and recommendations to address some of these challenges.
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