{"title":"Emecheta, Buchi","authors":"Chika Unigwe","doi":"10.1093/acrefore/9780190277734.013.477","DOIUrl":null,"url":null,"abstract":"Buchi Emecheta (1944–2017) was a Nigerian writer, born in Lagos to a seamstress mother and a railway worker father. Emecheta’s early ambition was to get an education, like her brother Adolphus. Orphaned early in life, a scholarship to a coveted high school gave her the opportunity she wanted. Married at sixteen to Sylvester Onwordi, she joined him in London in 1962. Their marriage soon ended because of Onwordi’s physical and mental abuse. By the age of twenty two, she was a single mother with five children. Her first novel, In the Ditch, published in 1972, chronicled the struggles of Adah, who represented Emecheta’s own alter ego, in raising children in the slums of London. Overall, Emecheta published over twenty books, which frequently centered on a black woman’s experience. Many of her novels revisit the same themes and draw inspiration from her life. There is perhaps no other African writer in whose works their own biography is centered as much as it is in hers. Her work illuminates her life while her life informs her work. Her life and fiction feed one another to the extent that her novels are often referred to as “fictionalized” accounts of her life. Although Emecheta was a symbol of the modern African woman, she rejected being called a feminist. If she were to be called a feminist, it had to be “feminist with a small letter ‘f’.” A term she would have accepted for herself as well as for her strong female characters would have been Obioma Nnaemeka’s “nego-feminism,” a feminism of Africa, of negotiation, and a no ego feminism.","PeriodicalId":166397,"journal":{"name":"Oxford Research Encyclopedia of African History","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oxford Research Encyclopedia of African History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/acrefore/9780190277734.013.477","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
布吉·埃米切塔(1944-2017)是尼日利亚作家,出生于拉各斯,母亲是裁缝,父亲是铁路工人。埃米切塔早期的志向是接受教育,就像她的哥哥阿道夫斯一样。早年成为孤儿,一所梦寐以求的高中的奖学金给了她想要的机会。她16岁时嫁给了西尔维斯特·昂沃迪,1962年与他一起在伦敦生活。由于Onwordi的身体和精神虐待,他们的婚姻很快就结束了。到22岁时,她已经是一个有五个孩子的单身母亲。她的第一部小说《在沟里》(In the Ditch)于1972年出版,记录了阿达(Adah)在伦敦贫民窟抚养孩子的挣扎,阿达代表了埃米切塔的另一个自我。总的来说,Emecheta出版了20多本书,这些书经常以黑人女性的经历为中心。她的许多小说都重访了同样的主题,并从她的生活中汲取灵感。也许没有哪位非洲作家的作品能像她的作品那样以自己的传记为中心。她的工作照亮了她的生活,而她的生活也影响了她的工作。她的生活和小说相得益彰,以至于她的小说经常被认为是对她生活的“虚构化”描述。虽然Emecheta是现代非洲女性的象征,但她拒绝被称为女权主义者。如果她被称为女权主义者,那只能是“带小写字母‘f’的女权主义者”。她会接受奥比奥马·纳梅卡(Obioma Nnaemeka)的“黑人女权主义”,这是一种非洲的女权主义,一种谈判的女权主义,一种无自我的女权主义。
Buchi Emecheta (1944–2017) was a Nigerian writer, born in Lagos to a seamstress mother and a railway worker father. Emecheta’s early ambition was to get an education, like her brother Adolphus. Orphaned early in life, a scholarship to a coveted high school gave her the opportunity she wanted. Married at sixteen to Sylvester Onwordi, she joined him in London in 1962. Their marriage soon ended because of Onwordi’s physical and mental abuse. By the age of twenty two, she was a single mother with five children. Her first novel, In the Ditch, published in 1972, chronicled the struggles of Adah, who represented Emecheta’s own alter ego, in raising children in the slums of London. Overall, Emecheta published over twenty books, which frequently centered on a black woman’s experience. Many of her novels revisit the same themes and draw inspiration from her life. There is perhaps no other African writer in whose works their own biography is centered as much as it is in hers. Her work illuminates her life while her life informs her work. Her life and fiction feed one another to the extent that her novels are often referred to as “fictionalized” accounts of her life. Although Emecheta was a symbol of the modern African woman, she rejected being called a feminist. If she were to be called a feminist, it had to be “feminist with a small letter ‘f’.” A term she would have accepted for herself as well as for her strong female characters would have been Obioma Nnaemeka’s “nego-feminism,” a feminism of Africa, of negotiation, and a no ego feminism.