{"title":"犯罪学中的视觉方法","authors":"B. McClanahan","doi":"10.2307/j.ctv1sr6gxt.9","DOIUrl":null,"url":null,"abstract":"This chapter addresses the methodological dimensions of visual criminology. It describes the key methodological tendencies at play in the field—original photography, documentary criminology filmmaking, photo elicitation interviewing, photo-ethnography, and other techniques and tendencies—including their origins, their limitations, and their contemporary development. The chapter also includes an expanded discussion of some of the ethical issues implicated in and by visual criminology and how they might be negotiated.","PeriodicalId":315748,"journal":{"name":"Visual Criminology","volume":"295 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Visual Methods in Criminology\",\"authors\":\"B. McClanahan\",\"doi\":\"10.2307/j.ctv1sr6gxt.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter addresses the methodological dimensions of visual criminology. It describes the key methodological tendencies at play in the field—original photography, documentary criminology filmmaking, photo elicitation interviewing, photo-ethnography, and other techniques and tendencies—including their origins, their limitations, and their contemporary development. The chapter also includes an expanded discussion of some of the ethical issues implicated in and by visual criminology and how they might be negotiated.\",\"PeriodicalId\":315748,\"journal\":{\"name\":\"Visual Criminology\",\"volume\":\"295 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Criminology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1sr6gxt.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Criminology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1sr6gxt.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter addresses the methodological dimensions of visual criminology. It describes the key methodological tendencies at play in the field—original photography, documentary criminology filmmaking, photo elicitation interviewing, photo-ethnography, and other techniques and tendencies—including their origins, their limitations, and their contemporary development. The chapter also includes an expanded discussion of some of the ethical issues implicated in and by visual criminology and how they might be negotiated.
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