西尔科的《黄女人》中的自然母亲:生态女性主义的维度

Olfa Gandouz
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引用次数: 1

摘要

生态女性主义是法国作家弗朗索瓦兹·德·欧博内在其著作《女权主义还是死亡》(1974)中提出的一个术语,旨在表明生态学与女权主义之间的密切联系。女性和自然都被认为是被动的因素,就像抱怨父权约束的女性一样,生态学家揭示了人类对受污染影响的自然的开发所带来的影响。在莱斯利·马蒙·西尔科的《黄女人》(1981)中出现了生态女权主义的一些维度。后现代小说中包含了一个女性角色,她与自然环境建立了联系,直接接触了一些自然元素,如植物和动物。女主人公的特殊之处在于,她逃离母系社会,回归自然,以重建自己的身份。在叙事的最后,女性叙述者离开自然环境,回到自己的家庭,重新扮演社会角色。本文旨在研究自然母亲对女性叙述者的重要性,并探讨地球母亲与女性主人公之间的联系。第一部分将提供生态女性主义基本原则的理论背景。然后,我的分析将触及小说中生态女性主义的各个方面。然而,最后一部分将重点关注叙述者如何超越她的母系文化,重塑女性身份。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mother Nature in Silko’s Yellow Woman : An Ecofeminist Dimension
Abstract Ecofeminism is a term coined by Françoise D’Eubonne in her book Feminism or Death (1974) to show the affinities between ecology and feminism. Both women and nature are perceived as passive elements and like women who complain about patriarchal constraints, ecologists shed light on the impacts of human exploitation over nature which is affected by pollution. Some dimensions of ecofeminism are present in Leslie Marmon Silko’s The Yellow Woman (1981). The postmodern novel contains a female character who forges a link with the natural surroundings and is in a direct contact with some natural elements like plants and animals. What is specific about the heroine is that she escapes her matriarchal society and goes back to nature in order to reconstruct her identity. At the end of the narrative, the female narrator leaves the natural setting and goes back to her family to replay social roles. The present article sets out to study the importance of Mother Nature for the female narrator and to examine the affinities between Earth Mother and the female protagonist. The first part will offer a theoretical background about the basic principles of ecofeminism. Then, my analysis will touch upon the aspects of ecofeminism in the novel. However, the last part will focus on the way the narrator goes beyond her matriarchal culture and reshapes female identity.
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