理解复杂安全问题中的参与者

Duarte P. Gonçalves
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引用次数: 1

摘要

这篇文章是在研究南非的犀牛偷猎问题时产生的,必须处理大量利益相关者和复杂性。参与者建模的目的是更深入地了解涉众和威胁如何导致复杂的安全问题。这篇文章是作者对犀牛问题中演员建模的两种不同尝试的反思。开发了一个框架,并提出了一些关于参与者建模的问题:首先,价值观和观点是由参与者的需求驱动的。参与者获得的知识是由视角决定的。由于行动者的多样性,“视角的碎片化”阻碍了问题的解决。因此,处理观点的碎片化需要一种包括行动者和不同认识方式的方法。演员建模的有效性受到演员的价值观和兴趣的限制,这在演员之间是不同的。第二,行动者具有多重身份,具有多层次的关系。对于高水平的识别与低水平的相关性相结合,研究人员理解行动者的行为是一个挑战。第三,行动者在自治-他律空间中运作。这不是一个连续体,而是同时经历了自治和他律。当演员是自主的,他们活出自己的价值观和兴趣,是最有创造力的。当创造力被运用时,有很多方法可以满足兴趣和实现价值(为什么),但演员的行为不是随机的。在自主性下,理解动机(为什么)比理解什么更重要,因为为什么更稳定,而什么是不可预测的。行动者是动态的、不确定的和非线性的。第四,模型不仅代表结构,还代表动机或目的和资源;因此,处理主观和客观分裂的某些方面。基于本文提出的论点,导致社会系统中新出现行为的行动者复杂性的来源是行动者的需求和相应的价值观和观点,高水平的认同与低水平的关系和自主性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Understanding Actors in Complex Security Problems
This article arose while working on the rhino poaching problem in South Africa and having to deal with the large number of stakeholders and complexity. The purpose of actor modelling is to develop a deeper understanding of how stakeholders and threats contribute to the complex security problems. This article is the author's reflection on two different attempts at modelling actors in the rhino problem. A framework is developed and a number of issues are raised with respect to actor modelling: First, values and perspectives are driven by actor needs. The knowledge acquired by actors is determined by perspectives. With a diversity of actors, there is a “fragmentation of perspective” that hampers addressing the problem. Thus, dealing with fragmentation of perspective, requires an approach that is inclusive of actors and different ways of knowing. The validity of actor modelling is limited by what can be determined about the values and interests of actors and this varies across actors. Second, actors have multiple identifications with multiple levels of relationality. For high levels of identification combined with low levels of relationality, there is a challenge for a researcher to understand actor behaviour. Third, actors operate in an autonomy-heteronomy space. This is not a continuum, but both autonomy and heteronomy experienced at the same time. When actors are autonomous they live out their values and interests and are most creative. When creativity is applied, there are many ways (what) of satisfying interests and living out values (why), but actors do not behave randomly. Under autonomy, understanding motivation (why) is more important than what because why is more stable and what cannot be predicted. Actors are dynamic, non-deterministic and non-linear. Fourth, the model represents not only structure but also motivation or purpose and resources; thus, addressing certain aspects of subjective and objective fragmentation. Based on the argument advanced in the paper, the sources of actor complexity leading to novel emerging behaviour in social systems are actor needs and the corresponding values and perspectives, high levels of identification with low levels of relationality and autonomy.
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