{"title":"拜占庭音乐理论论著与马德托斯的《巨鼠理论》之比较","authors":"Gerda Wolfram","doi":"10.12681/eml.28007","DOIUrl":null,"url":null,"abstract":"Studying the Theoretikon Mega tes Mousikes one can state, that the ambition of Chrysanthos of Madytos was to preserve the old Byzantine tradition to a certain extent, but also to take into account the development of liturgical music during the last three hundred years. With the alterations in liturgical chant, music theory had to be revised and refounded on a new basis. (...)","PeriodicalId":127692,"journal":{"name":"Epistēmēs Metron Logos","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Byzantine Theoretical Treatises on Music in comparison with the Theoretikon Mega tes Mousikes by Chrysanthos of Madytos\",\"authors\":\"Gerda Wolfram\",\"doi\":\"10.12681/eml.28007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Studying the Theoretikon Mega tes Mousikes one can state, that the ambition of Chrysanthos of Madytos was to preserve the old Byzantine tradition to a certain extent, but also to take into account the development of liturgical music during the last three hundred years. With the alterations in liturgical chant, music theory had to be revised and refounded on a new basis. (...)\",\"PeriodicalId\":127692,\"journal\":{\"name\":\"Epistēmēs Metron Logos\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Epistēmēs Metron Logos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12681/eml.28007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Epistēmēs Metron Logos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12681/eml.28007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Byzantine Theoretical Treatises on Music in comparison with the Theoretikon Mega tes Mousikes by Chrysanthos of Madytos
Studying the Theoretikon Mega tes Mousikes one can state, that the ambition of Chrysanthos of Madytos was to preserve the old Byzantine tradition to a certain extent, but also to take into account the development of liturgical music during the last three hundred years. With the alterations in liturgical chant, music theory had to be revised and refounded on a new basis. (...)