尼古拉·米亚斯科夫斯基诞辰140周年。重新发现当代的作曲家

Mihaela-Georgiana Balan
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引用次数: 0

摘要

在作曲家尼古拉·米亚斯科夫斯基诞辰140周年之际,2021年春,叶卡捷琳堡市举行了米亚斯科夫斯基对话节,这是俄罗斯作曲家米亚斯科夫斯基对话节,这是为数不多的以他的作品为基础的音乐活动之一。尼古拉·米亚斯科夫斯基(Nikolai Myaskovsky)被称为苏联交响乐之父,他是20世纪上半叶俄罗斯音乐文化中抵抗运动的支柱之一,他设法在传统流派、具有创新倾向的和声语言、在新政治体系中推广的思想和以音乐方式融合共产主义理想之间保持风格平衡。尽管同时代的人对米亚斯科夫斯基充满尊重和尊重,但在1948年的紧张局势和政治事件之后,米亚斯科夫斯基的名声扫地,在冷战期间进入了阴影区,直到铁幕倒塌。因此,直到最近三十年,由于著名指挥家如E.斯维特拉诺夫、V.捷吉耶夫、V.佩特连科、V.尤罗夫斯基对他的作品感兴趣,他才在音乐界重新被发现。在本文中,我们的目标是从历史的角度来看待米亚斯科夫斯基的重新发现和他在20世纪70年代至今的音乐会节目、唱片、评论、编年史、文章、音乐学研究、论文和书籍中的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nikolai Myaskovsky – 140th birth anniversary. Rediscovering the composer in the present times
Abstract On the occasion of the 140th anniversary of composer Nikolai Myaskovsky’s birth, in the spring of 2021, in the city of Ekaterinburg there took place the Myaskovsky Dialogues festival dedicated entirely to the Russian composer, being one of the few musical events with a musical programme based on his works. Known as the “father” of the Soviet symphony, Nikolai Myaskovsky was one of the pillars of resistance in Russian music culture in the first half of the 20th century, managing to maintain a stylistic balance between traditional genres, harmonic language with innovative tendencies, ideas promoted within the new political system and a neutral way of integrating communist ideals musically. Although his contemporaries perceived him with respect and consideration, N. Myaskovsky was discredited after the tensions and political events of 1948, entering a shadow zone during the Cold War, until the fall of the Iron Curtain. Therefore, it was only in the last three decades that he was rediscovered in the music world, due to the interest given to his works by well-known conductors such as E. Svetlanov, V. Gergiev, V. Petrenko, V. Jurowski. In this paper, our aim is to accomplish a historical perspective on N. Myaskovsky’s rediscovery and his approach in concert programs, records, reviews, chronicles, articles, musicological studies, papers and volumes from the 1970s to the present.
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