{"title":"当代策展思想中的身体、感知与价值","authors":"Icaro Ferraz Vidal Junior","doi":"10.11606/issn.2238-7714.no.2019.162026","DOIUrl":null,"url":null,"abstract":"This article adopts as its starting point some transformations in the statutes of body, space and time, formulated from the hegemony of the white cube as spatial configuration of art exhibitions. Using the concepts of mediality of Muller and Felinto, iconophagy of Baitello Jr., and aura of Benjamin, we propose a genealogical research on art exhibitions at their intersections with a broader media landscape in which the proliferation of images produces profound changes in the statutes of perception and value.","PeriodicalId":159051,"journal":{"name":"Novos Olhares","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Corpo, percepção e valor no pensamento curatorial contemporâneo\",\"authors\":\"Icaro Ferraz Vidal Junior\",\"doi\":\"10.11606/issn.2238-7714.no.2019.162026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article adopts as its starting point some transformations in the statutes of body, space and time, formulated from the hegemony of the white cube as spatial configuration of art exhibitions. Using the concepts of mediality of Muller and Felinto, iconophagy of Baitello Jr., and aura of Benjamin, we propose a genealogical research on art exhibitions at their intersections with a broader media landscape in which the proliferation of images produces profound changes in the statutes of perception and value.\",\"PeriodicalId\":159051,\"journal\":{\"name\":\"Novos Olhares\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Novos Olhares\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.11606/issn.2238-7714.no.2019.162026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Novos Olhares","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.11606/issn.2238-7714.no.2019.162026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Corpo, percepção e valor no pensamento curatorial contemporâneo
This article adopts as its starting point some transformations in the statutes of body, space and time, formulated from the hegemony of the white cube as spatial configuration of art exhibitions. Using the concepts of mediality of Muller and Felinto, iconophagy of Baitello Jr., and aura of Benjamin, we propose a genealogical research on art exhibitions at their intersections with a broader media landscape in which the proliferation of images produces profound changes in the statutes of perception and value.
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