有意识的动画学习意识

Birgitta Hosea, G. Barton
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引用次数: 0

摘要

这一章讨论了一个由伦敦艺术大学中央圣马丁学院发起的研究项目,该项目调查了绘制动画是否可以成为一种正念练习。该项目的初衷是探索佛教原则和实践的潜在应用,例如在世俗背景下的正念,以使在学习环境中经历压力的艺术和设计专业学生受益,从而希望更密切地检查学习过程。该项目的设计使用了重复的触觉程序和绘制动画的协作过程,并结合了短形式的正念冥想技术。该项目基于英国高等教育的更广泛发展,旨在使学生能够有意义地参与到情感和非理性的学习中。作者总结说,由于动画制作是关于变化的分析和瞬间存在的意识,因此还有更多的探索空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mindful Animation for Learning Awareness
This co-authored chapter discusses a research project initiated at Central Saint Martins, University of the Arts London which investigates whether the making of drawn animation can be a mindful practice. The original intention of the project was to explore the potential application of Buddhist principles and practices such as mindfulness within a secular context to benefit art and design students who experience stress in the learning environment, thereby wishing to examine learning processes more closely. The design of the project led to the use of the repetitive, haptic procedures and collaborative processes of drawn animation in combination with short-form mindfulness meditation techniques. The project rests on the wider developments in UK Higher Education that seek to enable students to engage meaningfully with the affective and extra-rational dimensions of learning. The authors conclude that there is scope for more exploration as animation-making is about the analysis of change and awareness of momentary existence.
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