化身之谜:格洛斯的梅利奥

Jean-François Poisson-Gueffier
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引用次数: 0

摘要

《圣杯之书》,也被称为《珀莱斯沃斯》,以其主人公的名字命名,他是珀西瓦尔的类比,在一个充满血腥和暴力的宇宙中进化,是13世纪法国亚瑟王的散文浪漫小说。这部浪漫小说所依据的不完美原则包括它的叙事构成、寓意的一致性和人物的诗性。梅利奥·德·洛格雷斯可以被称为是一个化身的萨玛,因为它的表现方式不倾向于团结,而是倾向于破坏。他是一个谜,因为它有许多叙事功能(改变基督,一个痛苦的人,骑士……),以及它的象征力量(他是“de Logres”,这暗示了一种道德意义,他体现了浪漫小说没有发展的精神伟大)。对这个次要但重要的人物进行符号学分析,是理解《圣杯之书》经文引发的许多问题的一种方式。梅略特不仅仅是一个替身:通过他,我们可以看到整个浪漫故事的复杂性和复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
L’énigme incarnée: Méliot de Logres dans le Haut Livre du Gral
The High Book of the Grail, also known as Perlesvaus, after its main character, an analogon of Perceval who evolves in a universe of blood and violence, is a French Arthurian prose romance of the 13th century. The principle of imperfection on which this romance is set encompasses its narrative composition, the consistency of its allegorical meaning, and the poetics of character. Meliot de Logres can be called an énigme incarnée, as its representation does not tend towards unity, but towards destruction. He is an enigma because of its numerous narrative functions (alter Christus, a man in distress, knight ...), and its symbolical power (he is ‘de Logres’, which suggests a moral signification, he embodies spiritual greatness that the romance does not develop). The semiological analysis of this secondary but important character is a way to understand the many problems aroused by the scripture of the High Book of the Grail. Meliot is not only a double: through him, we can see the complexity and intricacy of the romance as a whole.
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