Gözde Sunal, Duygu Furuncu Kutluhan
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摘要

电影和文学,这两个重要的艺术分支,深刻地影响着人类的社会,文化,经济和心理,实际上是通过不同的技术到达他们的读者/观众。这两个分支,其中一个是相互依存的,另一个是视听叙事形式,相互作用。通过电影中的“影像”艺术和文学中的“文字”艺术的叙事,读者将事件形象化。在世界电影史和土耳其电影史上,经常会遇到从文学到电影的改编作品。从这一点开始,将包括坚吉兹·艾特马托夫的小说《塞尔维·博耶姆·阿尔Yazmalım》与《本,天-Şan》和《塞尔维·博耶姆·阿尔Yazmalım》之间的异同。吉尔吉斯文学作家詹吉兹·艾特马托夫的《塞尔维·博伊姆·阿尔Yazmalım》被土耳其导演Atıf Yılmaz和俄罗斯导演伊琳娜·波普拉夫斯卡娅改编成电影,两个不同的版本被选为例子。在研究中,它的目的是对构成我们样本的电影进行一种分析。在这种情况下,基于类似的主题,人物,冲突和视觉描绘的基于电影的叙事结构将通过两部电影进行检查。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sinema ve Edebiyat İlişkisi Bağlamında Selvi Boylum Al Yazmalım ve Ben, Tien-Şan Filmlerinin Türsel Çözümlemesi
Cinema and literature, two important branches of art that deeply affect mankind socially, culturally, economically and psychologically, actually reach their readers/ audiences with different techniques. These two branches, one of which feeds on each other and the other with audiovisual narrative forms, interacted in themselves. Thanks to the narrative made with the art of “image” in cinema and “word” in literature, readers visualize events. In the history of cinema in the world and Turkey, works adapted from literature to film are encountered quite often. From this point on, the differences and similarities between Cengiz Aytmatov’s novel Selvi Boylum Al Yazmalım and Ben, Tien-Şan and Selvi Boylum Al Yazmalım will be included. Two different versions of Kyrgyz Literary Writer Cengiz Aytmatov’s Selvi Boylum Al Yazmalım, adapted for cinema by Turkish director Atıf Yılmaz and Russian director Irina Poplavskaya, were selected as examples. In the study, it is aimed to make a kind analysis of our films that make up our sample. In this context, cinematographically based narrative structures based on similar themes, characters, conflicts and visual depictions will be examined through both films.
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