{"title":"《财产论》第二册编号为1-25的作品结构注释","authors":"W. Camps","doi":"10.1017/S0068673500001528","DOIUrl":null,"url":null,"abstract":"This note offers an answer to the problem of apparent disorder in Book 2 of Propertius by disclosing a principle of order that underlies it. The observations that follow tend to confirm the internal unity of some elegies, to indicate the divisions to be perceived at some points between one elegy and the next, and to suggest the probability or otherwise of some conjectured transpositions. They may also aid interpretation by suggesting what movement within an elegy was intended by the poet to be felt. The area of observation has been restricted to Elegies 1–25 because it is possible to show that within that area an identifiable principle of composition has been applied consistently. It cannot be assumed without further consideration that a principle found to be applicable within the defined area is applicable outside it, even in this book, still less in the other books of the Elegies.","PeriodicalId":177773,"journal":{"name":"Proceedings of the Cambridge Philological Society","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A note on the structure of the pieces numbered 1–25 in Propertius Book 2\",\"authors\":\"W. Camps\",\"doi\":\"10.1017/S0068673500001528\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This note offers an answer to the problem of apparent disorder in Book 2 of Propertius by disclosing a principle of order that underlies it. The observations that follow tend to confirm the internal unity of some elegies, to indicate the divisions to be perceived at some points between one elegy and the next, and to suggest the probability or otherwise of some conjectured transpositions. They may also aid interpretation by suggesting what movement within an elegy was intended by the poet to be felt. The area of observation has been restricted to Elegies 1–25 because it is possible to show that within that area an identifiable principle of composition has been applied consistently. It cannot be assumed without further consideration that a principle found to be applicable within the defined area is applicable outside it, even in this book, still less in the other books of the Elegies.\",\"PeriodicalId\":177773,\"journal\":{\"name\":\"Proceedings of the Cambridge Philological Society\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Proceedings of the Cambridge Philological Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0068673500001528\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the Cambridge Philological Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0068673500001528","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A note on the structure of the pieces numbered 1–25 in Propertius Book 2
This note offers an answer to the problem of apparent disorder in Book 2 of Propertius by disclosing a principle of order that underlies it. The observations that follow tend to confirm the internal unity of some elegies, to indicate the divisions to be perceived at some points between one elegy and the next, and to suggest the probability or otherwise of some conjectured transpositions. They may also aid interpretation by suggesting what movement within an elegy was intended by the poet to be felt. The area of observation has been restricted to Elegies 1–25 because it is possible to show that within that area an identifiable principle of composition has been applied consistently. It cannot be assumed without further consideration that a principle found to be applicable within the defined area is applicable outside it, even in this book, still less in the other books of the Elegies.