历史时期的文化,1930-1945

Meir Chazan
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引用次数: 0

摘要

托管巴勒斯坦的伊休夫以希伯来民族文化为主导。在托管时代,文化是确保犹太复国主义劳工运动统治地位的重要因素,有时甚至是决定性因素。一个新的希伯来文化的建设和塑造是在运动的信条,政治和教育方法的中心原则。巴勒斯坦犹太劳工总联合会(简称Histadrut)是塑造伊休夫社会文化努力的主要机构,它坚持社会主义犹太复国主义世界观的精神。在此期间,Histadrut成为最进步、最真实、最流行的文化机构,致力于塑造巴勒斯坦的犹太复国主义氛围和日常生活。20世纪30年代,博物馆文化事业的领军人物是雅各布·桑德班克(Jacob Sandbank),他是1935年成立的文化中心的一部分。根据Sandbank的说法,文化,在文化的意义上,是不能“制造”的。相反,他声称它体现在生活的各个领域,它的重要和精神元素是不经意间产生的——没有事先的意图,没有设定目标,也没有从头开始规定事情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Culture in the Histadrut, 1930-1945
The Yishuv in Mandatory Palestine was dominated by the Hebrew national culture. Culture was an important and sometimes definitive element in securing the dominance of the Zionist Labor Movement during the Mandate era. The construction and shaping of a new Hebrew culture was a central principle in the movement’s creedal, political, and educational approach. The General Federation of Jewish Labor in Palestine, known as the Histadrut, which was the main institutional player in the shaping of cultural endeavor in Yishuv society, hewed to the spirit of the Socialist Zionist worldview. During this period, the Histadrut emerged as the most progressive, authentic and current cultural agent working to shape the Jewish-Zionist atmosphere and every-day life in Palestine. In the 1930s, the leading figure in the Histadrut’s cultural endeavor was Jacob Sandbank, who operated as part of the Cultural Center established in 1935. According to Sandbank, culture, in the sense of kultura, cannot be ‘manufactured’. Instead, he claimed that it materializes in various spheres of life, and its vital and spiritual elements come about inadvertently – without prior intent, without setting goals, and without dictating things ab initio.
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